
Product details:
ISBN13: | 9781501359521 |
ISBN10: | 1501359525 |
Binding: | Hardback |
No. of pages: | 224 pages |
Size: | 228x152 mm |
Language: | |
Illustrations: | 20 bw illus |
0 |
Category:
A Musical History of Digital Startup Culture
Publisher: Bloomsbury Academic
Date of Publication: 24 March 2022
Number of Volumes: Hardback
Normal price:
Publisher's listprice:
GBP 75.00
GBP 75.00
Your price:
33 023 (31 451 HUF + 5% VAT )
discount is: 13% (approx 4 934 HUF off)
The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
Click here to subscribe.
Click here to subscribe.
Availability:
Uncertain availability. Please turn to our customer service.
Can't you provide more accurate information?
Long description:
Startup language, culture and strategy--once seen as enemies to the music business--have permeated artists' careers and exerted significant influence over their creative decisions. From Kanye West's The Life of Pablo as "entertainment software" to Drake's meme-friendly video for "Hotline Bling" as "open source code," some of the music industry's biggest celebrities today are openly embracing tech rhetoric and strategy to inform their creative decisions.
Tech companies like Napster, Spotify, and Facebook have exerted a significant influence on how artists market and promote their music. But what happens when artists begin to treat themselves as the technology? How does pop culture shift when artists start framing their success and popularity as an entrepreneurial and engineering problem, not just as a cultural or aesthetic problem?
Using several actionable case studies across the past 50 years, from David Bowie to 3LAU, this book takes a deep-dive into the music written of, by, and for startup culture--and how this burgeoning creative scene is changing the meaning of artistry.
Tech companies like Napster, Spotify, and Facebook have exerted a significant influence on how artists market and promote their music. But what happens when artists begin to treat themselves as the technology? How does pop culture shift when artists start framing their success and popularity as an entrepreneurial and engineering problem, not just as a cultural or aesthetic problem?
Using several actionable case studies across the past 50 years, from David Bowie to 3LAU, this book takes a deep-dive into the music written of, by, and for startup culture--and how this burgeoning creative scene is changing the meaning of artistry.
Table of Contents:
Part 1: A historical overview of music and startup culture
1. Napster and Piracy: Startup culture as a threat to music culture
2. "Rockstar Entrepreneurs": Startup culture as synonymous with music culture
Part 2: Case studies
3. Hits to Bits: The Artist as Data
4. Remixes, Mashups and Memes: The Artist as Code
5. Gaming the System: The Artist as Algorithm
6. Fandom Kingdom: The Artist as Platform
7. Agile Albums: The Artist as Prototype
8. Buy the Same Tokens: The Artist as Currency
9. Epilogue: The Artist as Machine
1. Napster and Piracy: Startup culture as a threat to music culture
2. "Rockstar Entrepreneurs": Startup culture as synonymous with music culture
Part 2: Case studies
3. Hits to Bits: The Artist as Data
4. Remixes, Mashups and Memes: The Artist as Code
5. Gaming the System: The Artist as Algorithm
6. Fandom Kingdom: The Artist as Platform
7. Agile Albums: The Artist as Prototype
8. Buy the Same Tokens: The Artist as Currency
9. Epilogue: The Artist as Machine