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    Art, Architecture, and the Moving Viewer, c. 300-1500 CE: Unfolding Narratives

    Art, Architecture, and the Moving Viewer, c. 300-1500 CE by Elliott, Gillian B.; Heath, Anne;

    Unfolding Narratives

    Series: Art and Material Culture in Medieval and Renaissance Europe; 18;

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    Product details:

    • Publisher BRILL
    • Date of Publication 21 April 2022

    • ISBN 9789004506961
    • Binding Hardback
    • No. of pages484 pages
    • Size 235x155 mm
    • Weight 1075 g
    • Language English
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    Short description:

    These essays address how narratives unfolded in time and space when a body or object moved through premodern architectural or natural environments. Such narratives encompass interpretations of topography, change in built environments over time, and spaces for public assembly.

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    Long description:

    Premodern architecture and built environments were fluid spaces whose configurations and meanings were constantly adapting and changing. The production of transitory meaning transpired whenever a body or object moved through these dynamic spaces. Whether spanning the short duration of a procession or the centuries of a building?s longue durée, a body or object in motion created in-the-moment narratives that unfolded through time and space. The authors in this volume forge new approaches to architectural studies by focusing on the interaction between monuments, artworks, and their viewers at different points in space and time.


    Contributors are Christopher A. Born, Elizabeth Carson Pastan, Nicole Corrigan, Gillian B. Elliott, Barbara Franzé, Anne Heath, Philip Jacks, Divya Kumar-Dumas, Brigitte Kurmann-Schwarz, Ashley J. Laverock, Susan Leibacher Ward, Elodie Leschot, Meghan Mattsson McGinnis, Michael Sizer, Kelly Thor, and Laura J. Whatley.

    'Art, Architecture, and the Moving Viewer, c. 300-1500 CE offers the readers a thoughtfully curated series of fifteen essays that explore holistic approaches to medieval spaces as they may have been experienced by contemporaries of various social classes over time. Through the agency of ?the moving viewer,? the chapters yoke symbolic readings of spaces, artwork, and architecture in settings ranging from an intimate side chapel to an immense rock-mound mesa [...] the volume?s editors and chapter authors succeed in bringing provocative discoveries to the global readership of medievalists in art, architectural, and spatial history. It is a collection that supports and extends research into the nuances and details of cultural reception theory and, perhaps further along, into the neurological understanding of medieval environments.' Kim Sexton, in The Medieval Review 23.05.06.

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    Table of Contents:

    List of Figures

    Notes on Contributors



    Unfolding Narratives: An Introduction

    Gillian B. Elliott and Anne Heath



    PART 1: Moving Bodies in Space and Narrative



    1 Seeing and Not Seeing the Rose Window of Lausanne Cathedral

    Elizabeth Carson Pastan and Brigitte Kurmann
    -Schwarz




    2 Engaging the Beholder through Image and Inscription in the 13th
    -Century Stained
    -Glass Window of St. Margaret of Antioch at Ardagger Abbey


    Ashley J. Laverock



    3 Circulating among Friends: Mary Magdalene, Martha, and Lazarus and the Pilgrimage to the Holy Tear at the Abbey of La Trinité, Vendôme

    Anne Heath



    PART 2: Topography and Politicizing Space



    4 Written in Stone: Recovering the Magical Role of the locus sanctus in the Medieval Life of San Millán de la Cogolla

    Kelly Thor



    5 Reading Architecture in Landscape: Visitor Reflections at a Mirror Wall (Sigiriya, Sri Lanka)

    Divya Kumar
    -Dumas




    6 A Holy Hole, Anglo
    -Saxon Bones, and a Jerusalem Chapel: Redefining Sacred Geography at Winchester Cathedral in the 12th Century


    Laura J. Whatley



    7 Theatrum Paulli or Balneum Paulli: Interpreting the Markets of Trajan in the Middle Ages and Renaissance

    Philip Jacks



    PART 3: Spatial Alteration and Reception



    8 Transformation at the Garden Gate: The Romanesque Parapets of San Pietro al Monte in Civate

    Gillian B. Elliott



    9 Between Universal and Local Practices: The Unfolding Narrative of the Resurrection of the Christ and Its Public in the Wide
    -Open Galilee at the Priory of St. Fortunatus, Charlieu


    Elodie Leschot



    10 From Mosque
    -Cathedral to Gothic Cathedral: Rewriting and Rebuilding in Medieval Toledo


    Nicole Corrigan



    11 Change Unchanging: Mediating the Sacred Spaces of Ise Grand Shrines over Time

    Christopher A. Born



    PART 4: Assembly and Space



    12 On the Road to the Great Hof: Moving through Space and Time at Old Uppsala

    Meghan Mattsson McGinnis



    13 Abbot Gauzlin?s Tower Porch in Fleury (c.1015?30): A Social Narrative in Favor of the Capetians

    Barbara Franzé



    14 The South Portal at the Cathedral of Le Mans as a Processional Objective

    Susan Leibacher Ward



    15 Storming the Palace: Crowd Incursions into Aristocratic Spaces in Medieval Revolts

    Michael Sizer



    Conclusion



    Index

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