ISBN13: | 9780367501631 |
ISBN10: | 0367501635 |
Binding: | Paperback |
No. of pages: | 186 pages |
Size: | 246x174 mm |
Weight: | 340 g |
Language: | English |
Illustrations: | 23 Illustrations, black & white; 10 Illustrations, color; 23 Halftones, black & white; 10 Halftones, color; 1 Tables, black & white |
693 |
Reference works, dictionaries
Biology in general
Arts in general
Aesthetics
Physics in general
Economics
Transportation
Modern and postmodern philosophy
Further readings in the field of technology
Art history in general
19th century and first half of 20th century
Cultural studies
Organizational sociology
Media and communication science in general
Reference works, dictionaries (charity campaign)
Biology in general (charity campaign)
Arts in general (charity campaign)
Aesthetics (charity campaign)
Physics in general (charity campaign)
Economics (charity campaign)
Transportation (charity campaign)
Modern and postmodern philosophy (charity campaign)
Further readings in the field of technology (charity campaign)
Art history in general (charity campaign)
19th century and first half of 20th century (charity campaign)
Cultural studies (charity campaign)
Organizational sociology (charity campaign)
Media and communication science in general (charity campaign)
Art, the Sublime, and Movement
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This book is a critical interdisciplinary approach to the study of contemporary visual culture and image studies, exploring ideas about space and place and ultimately contributing to the debates about being human in the digital age.
This book is a critical interdisciplinary approach to the study of contemporary visual culture and image studies, exploring ideas about space and place and ultimately contributing to the debates about being human in the digital age.
The upward and downward pull seem in a constant contest for humanity?s attention. Both forces are powerful in the effects and affects they invoke. When tracing this iconological history, Amanda du Preez starts in the early nineteenth century, moving into the twentieth century and then spanning the whole century up to contemporary twenty-first century screen culture and space travels. Du Preez parses the intersecting pathways between Heaven and Earth, up and down, flying and falling through the concept of being ?spaced out?. The idea of being ?spaced out? is applied as a metaphor to trace the visual history of sublime encounters that displace Earth, gravity, locality, belonging, home, real life, and embodiment.
The book will be of interest to scholars working in art history, visual culture, media and cultural studies, phenomenology, digital culture, mobility studies, and urban studies.