- Publisher's listprice EUR 139.09
-
59 001 Ft (56 192 Ft + 5% VAT)
The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.
- Discount 8% (cc. 4 720 Ft off)
- Discounted price 54 281 Ft (51 697 Ft + 5% VAT)
59 001 Ft
Availability
Not yet published.
Why don't you give exact delivery time?
Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Publisher Palgrave Macmillan
- Date of Publication 13 June 2025
- Number of Volumes 1 pieces, Book
- ISBN 9783031902901
- Binding Hardback
- No. of pages240 pages
- Size 210x148 mm
- Language English
- Illustrations 2 Illustrations, color 700
Categories
Short description:
This book tracks dramaturgical affinities between some of Bernard Shaw’s late “extravagant” plays and those of Noël Coward, in particular their recasting of one another’s style and the tradition of manners comedy. While Coward’s first play (The Young Idea) all but plagiarizes You Never Can Tell and Shaw responds with his own depictions of the idle rich, their experimental plays in the 1930s also ambitiously engage issues of race and Empire, topics further outside their respective idioms.
“Christopher Wixson mines Shaw’s rarely-explored engagement with the work of Noël Coward, examining both writers' highly experimental plays from the 1930s in light of such important issues as postwar disillusionment, racial difference, and post-coloniality.”
Michel Pharand, Queen's University
MoreLong description:
This book tracks dramaturgical affinities between some of Bernard Shaw’s late “extravagant” plays and those of Noël Coward, in particular their recasting of one another’s style and the tradition of manners comedy. While Coward’s first play (The Young Idea) all but plagiarizes You Never Can Tell and Shaw responds with his own depictions of the idle rich, their experimental plays in the 1930s also ambitiously engage issues of race and Empire, topics further outside their respective idioms.
“Christopher Wixson mines Shaw’s rarely-explored engagement with the work of Noël Coward, examining both writers' highly experimental plays from the 1930s in light of such important issues as postwar disillusionment, racial difference, and post-coloniality.”
Michel Pharand, Queen's University
MoreTable of Contents:
Chapter 1. Introduction: Bernard Shaw and Noël Coward.- Chapter 2: Born Bosses and Lost Dogs.- Chapter 3: “Native” Revolts.- Chapter 4: Entropical Turns.- Chapter 5: Why The Life Force Would Not.
More
