Product details:
| ISBN13: | 9798765124819 |
| ISBN10: | 8765124812 |
| Binding: | Hardback |
| No. of pages: | pages |
| Size: | 228x152 mm |
| Language: | English |
| 700 |
Category:
Busby Berkeley at Warner Bros.
Ideology and Utopia in the Hollywood Musical
Publisher: Bloomsbury Academic
Date of Publication: 20 February 2025
Number of Volumes: Hardback
Normal price:
Publisher's listprice:
GBP 90.00
GBP 90.00
Your price:
40 163 (38 250 HUF + 5% VAT )
discount is: 15% (approx 7 088 HUF off)
The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
Click here to subscribe.
Click here to subscribe.
Availability:
Not yet published.
Long description:
Busby Berkeley's big-production numbers are emblematic of the Hollywood dream factory.
Exploring the tensions between escapism and ideological over-coding in the Warner Bros. musical, this book tracks the ways in which Berkeley created spectacles that are both critical and complacent in relation to the society that produced and received them.
Berkeley carried into his images of utopia the assembly plant, the misogyny, the fascism and racism of his day, but his collaboration with the filmmakers (Enright, Bacon and LeRoy) into whose narratives his numbers were spliced likewise involved taking care to draw a line between spectacle and the everyday. The book makes the case that the Warner Bros. musical, with its attention to the specificity and containment of the aesthetic dimension, has corrective lessons to impart for the aestheticized politics not only of the 1930s, but also of the current age.
Exploring the tensions between escapism and ideological over-coding in the Warner Bros. musical, this book tracks the ways in which Berkeley created spectacles that are both critical and complacent in relation to the society that produced and received them.
Berkeley carried into his images of utopia the assembly plant, the misogyny, the fascism and racism of his day, but his collaboration with the filmmakers (Enright, Bacon and LeRoy) into whose narratives his numbers were spliced likewise involved taking care to draw a line between spectacle and the everyday. The book makes the case that the Warner Bros. musical, with its attention to the specificity and containment of the aesthetic dimension, has corrective lessons to impart for the aestheticized politics not only of the 1930s, but also of the current age.
Table of Contents:
Introduction
1 Women and the Machinery of Escape
2 In the Lair of the Cyclops
3 Love and Censorship
4 Placing Spectacle and the Unfinished Business of Fascism
Pre-Code Coda: She Had to Say Yes
Afterword: Contemporary Lessons from the Aesthetics of the 1930s
Notes
Bibliography
Index
1 Women and the Machinery of Escape
2 In the Lair of the Cyclops
3 Love and Censorship
4 Placing Spectacle and the Unfinished Business of Fascism
Pre-Code Coda: She Had to Say Yes
Afterword: Contemporary Lessons from the Aesthetics of the 1930s
Notes
Bibliography
Index
