| ISBN13: | 9781032319988 |
| ISBN10: | 1032319984 |
| Binding: | Hardback |
| No. of pages: | 558 pages |
| Size: | 234x156 mm |
| Weight: | 1020 g |
| Language: | English |
| Illustrations: | 64 Illustrations, color; 64 Halftones, color; 1 Tables, black & white |
| 691 |
Electrical engineering and telecommunications, precision engineering
Theory of computing, computing in general
Operating systems and graphical user interfaces
Software development
Artificial Intelligence
Arts in general
Theatre
Other braches of fine arts
Other branches of performing arts
Musicology in general and music history
Choreomata
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Choreomata is a book about performance and performativity, but more specifically it is a book about the performance of artificiality and the performance of intelligence.
Is artificial intelligence (AI) becoming more and more expressive, or is human thought adopting more and more structures from computation? What does it mean to perform oneself through AI, or to construct one?s subjectivity through AI? How does AI continue to complicate what it means to have a body? Has the golden age of AI, especially with regards to creative applications, already ended?
Choreomata: Performance and Performativity after AI is a book about performance and performativity, but more specifically, it is a book about the performance of artificiality and the performance of intelligence. Both humans and human-designed computational forces are thoroughly engaged in an entangled, mutual performance of AI. Choreomata spins up a latticework of interdisciplinary thought, pairing theoretical inquiry from philosophy, information theory, and computer science with practical case studies from visual art, dance, music, and social theory.
Through cross-disciplinary proportions and a diverse roster of contributors, this book contains insights for computer scientists, social scientists, industry professionals, artists, and beyond.
Table of Contents
Foreword
Preface
List of Contributors
A. Performing Artificiality, Performing Intelligence
Subjectivity
- 0-Degree Plane of Neuroelectronic Continuity: AI & Psychosocial Evaporation
Marek Poliks & Roberto Alonso Trillo
2. Performing the Automated Image
Anna Munster & Ned Rossiter
3. Negative Aesthetics: AI and Non-Performance
Luciana Parisi
4. Performance, Performativity, and Subjectivity at the Intersection of Art and Digital Cultures
Barbara Bolt
Creativity
5. Performing Creativity: Text-to-Image Synthesis and the Mimicry of Artistic Subjectivity
Keith Tilford
6. Galatea Reloaded: Imagination Inside-Out Imagine
Reza Negarestani
Representation
7. Intelligent Company: Co-creative AI as Anamnesis
Jonathan Impett
8. Autonomy, Intention, Performativity: Navigating the AI Divide
Jon McCormack
9. Interaction Grammars: Beyond the Imitation Game
AA Cavia
B. Choreomatic Bestiary
Encounter
10. Choreomata
Sofian Audry
11. The Musicality of Imperfection
Davor Vincze
12. Robot Choreography, Choreorobotics, and Humanist Technology: A Conversation between Dr. Madeline Gannon and Dr. Ken Goldberg
Catie Cuan
Proliferation
13. Ars Autopoetica: On Authorial Intelligence, Generative Literature, and the Future of Language
Sasha Stiles
14. AI, Architecture, and Performance: Walt Disney Concert Hall Dreams
Refik Anadol & Pelin Kivrak
15. Performing AI-Generated Theater Plays
Klára Vosecká & Tomáš Musil & Rudolf Rosa
Annihilation
16. Identity Dissolution: Using Artificial Intelligence for Artistic Exploration of Identity Models
Alexander Schubert
17. Noise and Subjectivity in the Era of Machine Learning
Mattin
After-Body
18. Descendent: AI and the Body beyond Hybridization
Roberto Alonso Trillo
19. Descendent: Understanding the Digital Production Process from Human Interpretation to Algorithmic Interpolation to AI Inference
Peter Nelson
20. Ghosts of the Hidden Layer
People & Things
Jennifer Walshe
