Choreomata - Trillo, Roberto Alonso; Poliks, Marek; (ed.) - Prospero Internet Bookshop
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Choreomata

Performance and Performativity after AI
 
Edition number: 1
Publisher: Chapman and Hall
Date of Publication:
 
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GBP 57.99
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Short description:

Choreomata is a book about performance and performativity, but more specifically it is a book about the performance of artificiality and the performance of intelligence.

Long description:

Is artificial intelligence (AI) becoming more and more expressive, or is human thought adopting more and more structures from computation? What does it mean to perform oneself through AI, or to construct one?s subjectivity through AI? How does AI continue to complicate what it means to have a body? Has the golden age of AI, especially with regards to creative applications, already ended?


Choreomata: Performance and Performativity after AI is a book about performance and performativity, but more specifically, it is a book about the performance of artificiality and the performance of intelligence. Both humans and human-designed computational forces are thoroughly engaged in an entangled, mutual performance of AI. Choreomata spins up a latticework of interdisciplinary thought, pairing theoretical inquiry from philosophy, information theory, and computer science with practical case studies from visual art, dance, music, and social theory.


Through cross-disciplinary proportions and a diverse roster of contributors, this book contains insights for computer scientists, social scientists, industry professionals, artists, and beyond.

Table of Contents:

Table of Contents




Foreword



Preface



List of Contributors



A. Performing Artificiality, Performing Intelligence



Subjectivity




  1. 0-Degree Plane of Neuroelectronic Continuity: AI & Psychosocial Evaporation


          Marek Poliks & Roberto Alonso Trillo



      2. Performing the Automated Image


          Anna Munster & Ned Rossiter



      3. Negative Aesthetics: AI and Non-Performance


         Luciana Parisi



     4. Performance, Performativity, and Subjectivity at the Intersection of Art and Digital Cultures


         Barbara Bolt



Creativity



    5. Performing Creativity: Text-to-Image Synthesis and the Mimicry of Artistic Subjectivity


        Keith Tilford



    6. Galatea Reloaded: Imagination Inside-Out Imagine


       Reza Negarestani



Representation



    7. Intelligent Company: Co-creative AI as Anamnesis


      Jonathan Impett



   8. Autonomy, Intention, Performativity: Navigating the AI Divide


      Jon McCormack



   9. Interaction Grammars: Beyond the Imitation Game


      AA Cavia



B. Choreomatic Bestiary



Encounter



   10. Choreomata
      Sofian Audry



   11. The Musicality of Imperfection


      Davor Vincze



   12. Robot Choreography, Choreorobotics, and Humanist Technology: A Conversation between Dr. Madeline Gannon and Dr. Ken Goldberg


      Catie Cuan



Proliferation



   13. Ars Autopoetica: On Authorial Intelligence, Generative Literature, and the Future of Language


     Sasha Stiles



   14. AI, Architecture, and Performance: Walt Disney Concert Hall Dreams


     Refik Anadol & Pelin Kivrak



   15. Performing AI-Generated Theater Plays


     Klára Vosecká & Tomáš Musil & Rudolf Rosa



Annihilation



   16. Identity Dissolution: Using Artificial Intelligence for Artistic Exploration of Identity Models


    Alexander Schubert



   17. Noise and Subjectivity in the Era of Machine Learning


    Mattin



After-Body



   18. Descendent: AI and the Body beyond Hybridization


   Roberto Alonso Trillo



   19. Descendent: Understanding the Digital Production Process from Human Interpretation to Algorithmic Interpolation to AI Inference


    Peter Nelson



   20. Ghosts of the Hidden Layer


         People & Things


   Jennifer Walshe