Product details:
| ISBN13: | 9781108747677 |
| ISBN10: | 1108747671 |
| Binding: | Paperback |
| No. of pages: | 327 pages |
| Size: | 244x170x18 mm |
| Weight: | 567 g |
| Language: | English |
| 723 |
Category:
Clara Schumann Studies
Series:
Cambridge Composer Studies;
Publisher: Cambridge University Press
Date of Publication: 21 December 2023
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Short description:
Develops a holistic and gender-aware understanding of Clara Schumann as pianist, composer and teacher in nineteenth-century Germany.
Long description:
Since the 1980s, when she re-emerged from the peripheries into a more central position in music studies, Clara Schumann (1819-1896) has exerted an enduring fascination over the scholarly and popular imagination. Revisionist biographies, the uncovering of primary sources (diaries, letters, memorabilia), and filmic and literary depictions of Schumann have all brought into sharper focus the details and reception of her life, while simultaneously drawing attention to how much there is still to learn about her creativity. This book brings together a team of leading scholars to reappraise Clara Schumann in three particular respects: first, by delving deeper into her social and musical contexts; secondly, by offering fresh analytical perspectives on her songs and instrumental music; and thirdly, by reconsidering her legacy as a pianist and teacher. In doing so, the volume not only contributes to a rounded picture of Schumann's creative vision, but also opens up new pathways in the wider study of women in music.
'... what the individual essays exemplify is a sense of academic diversity that underpins current ways of thinking about Schumann-Wieck and her world. In doing so, they break ground not only in relation to Clara Schumann, but in relation to women in music in general.' Juan Carlos Tellechea, Bibliographic Reviews
'... what the individual essays exemplify is a sense of academic diversity that underpins current ways of thinking about Schumann-Wieck and her world. In doing so, they break ground not only in relation to Clara Schumann, but in relation to women in music in general.' Juan Carlos Tellechea, Bibliographic Reviews
Table of Contents:
1. Clara and Robert Schumann's circles in Dresden: 'I take the liberty to request from you an invitation [...] to your musical matin&&&233;e' Anja Bunzel; 2. Disillusionment and patriotism: Clara and Robert Schumann in the wake of the 1848-1849 revolutions Susan Youens; 3. Softened,smudged, erased: Punctuation and continuity in Clara Schumann's Lieder Stephen Rodgers; 4. A way with words: Expressive declamation in Clara Schumann's songs Harald Krebs; 5. Clara Schumann and the nineteenth-century piano concerto Joe Davies; 6. Clara Schumann and Bach Susan Wollenberg; 7. Formal innovation and virtuosity in Clara Schumann's Piano Trio in G minor, Op. 17 Nicole Grimes; 8. Contextualizing Clara Schumann's Romanzen Katharina Uhde and R. Larry Todd; 9. The young prophetess in performance Amanda Lalonde; 10. Clara Schumann's compositional and concertizing strategies, and Robert Schumann's piano sets Alexander Stefaniak; 11. Clara - Robert's posthumous androgyne Roe-Min Kok; 12. Clara Schumann, 'Clara Schumann', and the American press Jonathan Kregor; 13. Clara Schumann's legacy as a teacher Natasha Loges.
