| ISBN13: | 9781032553757 |
| ISBN10: | 1032553758 |
| Binding: | Hardback |
| No. of pages: | 398 pages |
| Size: | 234x156 mm |
| Language: | English |
| Illustrations: | 57 Illustrations, black & white; 17 Halftones, black & white; 40 Line drawings, black & white; 28 Tables, black & white |
| 700 |
Digital signal, audio and image processing
Arts in general
Musicology in general and music history
Other branches of pop music
Digital signal, audio and image processing (charity campaign)
Arts in general (charity campaign)
Musicology in general and music history (charity campaign)
Other branches of pop music (charity campaign)
Collaboration, Engagement, and Tradition in Contemporary and Electronic Music
GBP 135.00
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Collaboration, Engagement, and Tradition in Contemporary and Electronic Music offers insights into practices at the forefront of modern music making and is built on a rich collection of concerts and talks, representing over a decade of artistic insight and creative practice showcased at the annual NoiseFloor event.
Collaboration, Engagement, and Tradition in Contemporary and Electronic Music: NoiseFloor Perspectives illuminates practices at the forefront of modern music-making and is built on a rich collection of concerts and talks, representing over a decade of artistic insight and creative practice showcased at the annual NoiseFloor event.
Exploring the themes of collaboration, engagement, and tradition, this cutting-edge collection offers chapters on a range of pressing issues, including AI in music, audiovisual composition, environmental sound, and interactive sound systems. NoiseFloor?s aim is to showcase research and original works by international composers and performers and has attracted prolific artists in a wide range of related fields ? many of whom have contributed to this volume. This book provides a timely snapshot of new and emerging developments in the broad field of contemporary music-making.
Collaboration, Engagement, and Tradition in Contemporary and Electronic Music will be of interest to postgraduates and advanced undergraduates working in the areas of contemporary music, electronic music, and music technology. This book is also ideal for composers, artists, and researchers investigating theoretical concepts and compositional practices in contemporary music.
