Early Modern Print Media and the Art of Observation - Leitch, Stephanie A.; - Prospero Internet Bookshop

Early Modern Print Media and the Art of Observation: Training the Literate Eye
 
Product details:

ISBN13:9781009444521
ISBN10:1009444522
Binding:Hardback
No. of pages:360 pages
Size:261x182x23 mm
Weight:930 g
Language:English
727
Category:

Early Modern Print Media and the Art of Observation

Training the Literate Eye
 
Publisher: Cambridge University Press
Date of Publication:
 
Normal price:

Publisher's listprice:
GBP 100.00
Estimated price in HUF:
52 500 HUF (50 000 HUF + 5% VAT)
Why estimated?
 
Your price:

47 250 (45 000 HUF + 5% VAT )
discount is: 10% (approx 5 250 HUF off)
The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
Click here to subscribe.
 
Availability:

Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Can't you provide more accurate information?
 
  Piece(s)

 
Short description:

Illustrations in the now little-known genres of cosmographies and physiognomies coached early modern readers to make visual decisions.

Long description:
Early modern printmakers trained observers to scan the heavens above as well as faces in their midst. Peter Apian printed the&&&160;Cosmographicus Liber&&&160;(1524) to teach lay astronomers their place in the cosmos, while also printing practical manuals that translated principles of spherical astronomy into useful data for weather watchers, farmers, and astrologers. Physiognomy, a genre related to cosmography, taught observers how to scrutinize profiles in order to sum up peoples' characters. Neither Albrecht D&&&252;rer nor Leonardo escaped the tenacious grasp of such widely circulating manuals called&&&160;practica.&&&160;Few have heard of these genres today, but the kinship of their pictorial programs suggests that printers shaped these texts for readers who privileged knowledge retrieval. Cultivated by images to become visual learners, these readers were then taught to hone their skills as observers. This book unpacks these and other visual strategies that aimed to develop both the literate eye of the reader and the sovereignty of images in the early modern world.
Table of Contents:
1. Introduction: learning to look with books for the literate eye; Part I. Coaching the Eyewitness: 2. Don't forget your Apian: a DIY guide to the cosmos; 3. Facial profiling: physiognomy and the art of inspection; Part II. Collecting and Cognitive Challenges: 4. Visualized data and searchable science: The Liber Quodlibetarius (c. 1524); 5. Vexed viewing: anamorphosis and the visual argumentation of labored looking; 6. Conclusion: Observational thinking; Bibliography.