
Product details:
ISBN13: | 9780521826723 |
ISBN10: | 0521826721 |
Binding: | Hardback |
No. of pages: | 360 pages |
Size: | 229x152x24 mm |
Weight: | 700 g |
Language: | English |
Illustrations: | 12 tables 53 music examples |
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Category:
Eight Centuries of Troubadours and Trouvčres
The Changing Identity of Medieval Music
Series:
Musical Performance and Reception;
Publisher: Cambridge University Press
Date of Publication: 8 July 2004
Normal price:
Publisher's listprice:
GBP 110.00
GBP 110.00
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50 104 (47 718 HUF + 5% VAT )
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Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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Short description:
This 2004 book traces the changing interpretation of troubadour and trouvere music.
Long description:
This 2004 book traces the changing interpretation of troubadour and trouvere music, a repertoire of songs which have successfully maintained public interest for eight centuries, from the medieval chansonniers to contemporary rap renditions. A study of their reception therefore serves to illustrate the development of the modern concept of 'medieval music'. Important stages include sixteenth-century antiquarianism, the Enlightenment synthesis of scholarly and popular traditions and the infusion of archaeology and philology in the nineteenth century, leading to more recent theories on medieval rhythm. More often than now, writers and performers have negotiated a compromise between historical research and a more imaginative approach to envisioning the music of troubadours and trouveres. This book points not so much to a resurrection of medieval music in modern times as to a continuous tradition of interpreting these songs over eight centuries.
"This volume provides an interesting examination of the repertory of troubadour and trouv&&&232;re music. The author's final conclusions and discussions of modern-day appearances of this repertory are especially enjoyable. Highly recommended." B.L. Eden, University of Nevada, Las Vegas, CHOICE
"This volume provides an interesting examination of the repertory of troubadour and trouv&&&232;re music. The author's final conclusions and discussions of modern-day appearances of this repertory are especially enjoyable. Highly recommended." B.L. Eden, University of Nevada, Las Vegas, CHOICE
Table of Contents:
Introduction; 1. The first readers; 2. The changing song; 3. Enlightened readers; 4. The science of translation; 5. Recent readings; 6. Conclusions; 7. Epilogue; Bibliography; Index.