Product details:
ISBN13: | 9781350145061 |
ISBN10: | 1350145068 |
Binding: | Paperback |
No. of pages: | 256 pages |
Size: | 234x156 mm |
Weight: | 384 g |
Language: | English |
334 |
Category:
Arts in general
Beauty & fashion
Gender studies
Cultural studies
Further reading in the field of sociology
Media and communication science in general
Arts in general (charity campaign)
Beauty & fashion (charity campaign)
Gender studies (charity campaign)
Cultural studies (charity campaign)
Further reading in the field of sociology (charity campaign)
Media and communication science in general (charity campaign)
Fashion and Psychoanalysis
Styling the Self
Publisher: Bloomsbury Visual Arts
Date of Publication: 11 October 2019
Number of Volumes: Paperback
Normal price:
Publisher's listprice:
GBP 23.99
GBP 23.99
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9 814 (9 346 HUF + 5% VAT )
discount is: 20% (approx 2 453 HUF off)
Discount is valid until: 31 December 2024
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Availability:
printed on demand
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Long description:
In this innovative new book, Alison Bancroft re-examines significant moments in twentieth century fashion history through the focal lens of psychoanalytic theory. Her discussion centres on studies of fashion photography, haute couture, queer dressing, and fashion/art in an attempt to shed new light on these key issues. According to Bancroft, problems of subjectivity are played out through fashion, in the public arena, and not just in the dark, unknowable unconscious mind. The question of what can be said, and what can only be experienced, and how these two issues may be reconciled, become questions that fashion addresses on an almost daily basis. By interpreting fashion within a psychoanalytic frame, Bancroft illustrates how fashion articulates some of the essential, and sometimes frightening, truths about the body, femininity and the self.
Table of Contents:
Introduction
One: Fashion Photography and the Myth of the Unified Subject
Two: Inspiring Desire: The Case for Haute Couture
Three: Queering Fashion, Dressing Transgression
Four: Fashion, Text, Symptom
Conclusion
Notes
Bibliography
Index
One: Fashion Photography and the Myth of the Unified Subject
Two: Inspiring Desire: The Case for Haute Couture
Three: Queering Fashion, Dressing Transgression
Four: Fashion, Text, Symptom
Conclusion
Notes
Bibliography
Index