ISBN13: | 9780367502751 |
ISBN10: | 0367502755 |
Binding: | Paperback |
No. of pages: | 220 pages |
Size: | 246x174 mm |
Weight: | 540 g |
Language: | English |
Illustrations: | 50 Illustrations, black & white; 27 Illustrations, color |
513 |
Sociology in general, methodology, handbooks
Arts in general
Regional studies
The Enlightenment, Romanticism, The Realist Age
Modernism, postmodernism
History of Europe
Art history in general
Classicism
Exhibition catalogues
Other braches of fine arts
Museology
Gender studies
Further readings in travel
Sociology in general, methodology, handbooks (charity campaign)
Arts in general (charity campaign)
Regional studies (charity campaign)
The Enlightenment, Romanticism, The Realist Age (charity campaign)
Modernism, postmodernism (charity campaign)
History of Europe (charity campaign)
Art history in general (charity campaign)
Classicism (charity campaign)
Exhibition catalogues (charity campaign)
Other braches of fine arts (charity campaign)
Museology (charity campaign)
Gender studies (charity campaign)
Further readings in travel (charity campaign)
Fashionability, Exhibition Culture and Gender Politics
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This book uncovers a wide range of texts and images to reveal that Fair Women brought together fashion, modernity and gender politics in new and surprising ways. It shows that, while invariably absent in institutional histories, women were vital to the development of the modern blockbuster exhibition.
Fair Women was the Victorian equivalent of a ?blockbuster? exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and was comprised of both historical and contemporary portraits of women as well as decorative objects.
Meaghan Clarke argues that the exhibition challenged contemporary assumptions about the representation of women and the superficiality of female collectors. The Fair Women phenomenon complicated gender stereotypes and foregrounded women as cultural arbiters. This book uncovers a wide range of texts and images to reveal that Fair Women brought together fashion, modernity and gender politics in new and surprising ways. It shows that, while invariably absent in institutional histories, women were vital to the development of the modern blockbuster exhibition.
This book will be of interest to scholars in art and gender studies, museum studies, feminist art history, women artists and art history.
"A timely and substantial exploration of the display of fashion and the decorative arts in modern exhibition culture."
- Lara Perry, University of Brighton
Part I The Exhibition;
1. Exhibiting Fair Women;
2. ?Feminine weapons?: Women, Collecting and Connoisseurship;
Part II Modern Fair Women;
3. Performing the Modern Woman: Actresses, Celebrity Culture and Exhibitions;
4. (Re)envisioning New Women: Eveleen Myers and Gertrude Campbell;
Part III Fair Women Redux;
5. Re-inventing Fair Women: Women, Exhibitions and Art Writing;
6. International Fair Women;
Epilogue