Product details:
ISBN13: | 9781350126329 |
ISBN10: | 1350126322 |
Binding: | Hardback |
No. of pages: | 224 pages |
Size: | 216x138 mm |
Weight: | 502 g |
Language: | English |
Illustrations: | 15 bw illus |
92 |
Category:
Service industry
Modernism, postmodernism
Other branches of pop music
Gender studies
Cultural studies
Further reading in the field of sociology
Fashion & Design
Service industry (charity campaign)
Modernism, postmodernism (charity campaign)
Other branches of pop music (charity campaign)
Gender studies (charity campaign)
Cultural studies (charity campaign)
Further reading in the field of sociology (charity campaign)
Fashion & Design (charity campaign)
Fashioning Indie
Popular Fashion, Music and Gender
Series:
Dress Cultures;
Publisher: Bloomsbury Visual Arts
Date of Publication: 31 October 2019
Number of Volumes: Hardback
Normal price:
Publisher's listprice:
GBP 95.00
GBP 95.00
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39 900 (38 000 HUF + 5% VAT )
discount is: 20% (approx 9 975 HUF off)
Discount is valid until: 31 December 2024
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Availability:
printed on demand
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Long description:
In 2005, British supermodel Kate Moss went to Glastonbury with her then-boyfriend, indie rocker Pete Doherty. Their unwashed appearance captured widespread attention, propelling the British indie music scene and its signature look-slender bodies clad in skinny jeans-to the center of popular fashion.
Using this fashionable watershed as a launching point, Fashioning Indie narrates indie's evolution: from a 1980s British music subculture into a 21st-century international fashion phenomenon. It explores the lucrative transformation of indie style, first into high concept menswear and later into "festival fashion"-a womenswear phenomenon that remade what indie looked like and provided a launching point to reimagine who the ideal subject of indie could be.
Fashioning Indie is essential reading for academic and popular audiences, offering an original account of what happens when a subculture is incorporated into the commercial fashion system. As the music and fashions of festivals face increasing scrutiny in debates about diversity and inclusion, and the transformations of indie style coincide with the global expansion of the second-hand retail sector, the book offers also essential insights into the broader culture of popular fashion in the 21st century and the values that inform it.
Using this fashionable watershed as a launching point, Fashioning Indie narrates indie's evolution: from a 1980s British music subculture into a 21st-century international fashion phenomenon. It explores the lucrative transformation of indie style, first into high concept menswear and later into "festival fashion"-a womenswear phenomenon that remade what indie looked like and provided a launching point to reimagine who the ideal subject of indie could be.
Fashioning Indie is essential reading for academic and popular audiences, offering an original account of what happens when a subculture is incorporated into the commercial fashion system. As the music and fashions of festivals face increasing scrutiny in debates about diversity and inclusion, and the transformations of indie style coincide with the global expansion of the second-hand retail sector, the book offers also essential insights into the broader culture of popular fashion in the 21st century and the values that inform it.
Table of Contents:
List of Illustrations
Introduction
Chapter 1: From subculture to hot look: The evolution of indie
Chapter 2: Skinny boys and Parisian runways: The commodification of indie authenticity
Chapter 3: Wellies, fringe and individual style: The commercial rise of festival fashion
Chapter 4: Prints, paints and crop tops: The emergence of Afro-diasporic festival fashion
Chapter 5: Beyond Retro and the pop ragtrade
Conclusion
Notes
Bibliography
Index
Introduction
Chapter 1: From subculture to hot look: The evolution of indie
Chapter 2: Skinny boys and Parisian runways: The commodification of indie authenticity
Chapter 3: Wellies, fringe and individual style: The commercial rise of festival fashion
Chapter 4: Prints, paints and crop tops: The emergence of Afro-diasporic festival fashion
Chapter 5: Beyond Retro and the pop ragtrade
Conclusion
Notes
Bibliography
Index