Greek Poetry in the Age of Ephemerality
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Product details:
- Publisher Cambridge University Press
- Date of Publication 27 April 2023
- ISBN 9781009320351
- Binding Hardback
- No. of pages228 pages
- Size 250x176x20 mm
- Weight 620 g
- Language English 515
Categories
Short description:
Argues that the ephemeral appears in enduring forms through the body and inscribed texts in Greek poetry.
MoreLong description:
This book suggests that poetry offers a way to remain in the world - not only by declarations of intent or the promotion of remembrance, but also through the durable physicality of its practice. Whether carved in stone or wood, printed onto a page, beat out by a mimetic or rhythmic body, or humming in the mind, poems are meant to engrave and adhere. Ancient Greek poetry exhibits a particularly acute awareness of change, decay, and the ephemerality inherent in mortality. Yet it couples its presentation of this awareness with an offering of meaningful embodiment in shifting forms that are aligned with, yet subtly manipulative of, mortal time. Sarah Nooter's argument ranges widely across authors and genres, from Homer and the Homeric Hymns through Sappho and Archilochus to Pindar and Aeschylus. The book will be compelling reading for all those interested in Greek literature and in poetry more broadly.
'Greek Poetry in the Age of Ephemerality offers a bold reassessment of archaic and classical Greek poetry. Sarah Nooter explores temporality as a key aspect of song that allows her to bring together various strands - notably, embodiment, performance, and textual transmission. Her use of new materialism, phenomenology, sound studies, and approaches to affects is sophisticated and yields many original interpretations of poems by Archilochus, Sappho, and other authors. Well argued and engagingly written, Nooter's book is a pleasure to read.' Jonas Grethlein, Professor of Classics, Universit&&&228;t Heidelberg
Table of Contents:
1. Did the heart beat? Rhythm and the body in ancient Greek poetry; 2. The substance of song: music in Homer and the Homeric Hymns; 3. The erotics of again: time and touch in Sappho; 4. Situating Simonides: stones, song, and sound; 5. Writing the future: Pindar, Aeschylus, and the tablet of the mind; 6. Recovering&&&160;the bodies of Archilochus'&&&160;Cologne Epode and Timotheus'&&&160;Persae.
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