Historical Research, Creative Writing, and the Past - Morrison, Kevin A.; Rantala, Pälvi; (ed.) - Prospero Internet Bookshop

Historical Research, Creative Writing, and the Past

Methods of Knowing
 
Edition number: 1
Publisher: Routledge
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Short description:

Historical Research, Creative Writing, and the Past brings together researchers in a wide array of disciplines who employ imagination, creativity, or fiction in their own historical scholarship or who analyze the use of imagination, creativity, or fiction to make historical claims by others.

Long description:

Although historical research undertaken in different disciplines often requires speculation and imagination, it remains relatively rare for scholars to foreground these processes explicitly as a knowing method. Historical Research, Creative Writing, and the Past brings together researchers in a wide array of disciplines, including literary studies and history, ethnography, design, film, and sound studies, who employ imagination, creativity, or fiction in their own historical scholarship or who analyze the use of imagination, creativity, or fiction to make historical claims by others. This volume is organized into four topical sections related to representations of the past?textual and conceptual approaches; material and emotional approaches; speculative and experiential approaches; and embodied methodologies?and covers a variety of temporal periods and geographical contexts. Reflecting on the methodological, theoretical, and ethical underpinnings of writing history creatively or speculatively, the essays situate themselves within current debates over epistemology and interdisciplinarity. They yield new insights into historical research methods, including archival investigations and source criticisms, while offering readers tangible examples of how to do history differently.

Table of Contents:

Introduction: Methods of Knowing


Kevin A. Morrison and Pälvi Rantala



Section One: Textual and Conceptual Approaches



1. Epic Posturing and Epic Entanglements: Historiography, Creative Inquiry, and the Writing of the Self in Boiardo, Montaigne, and Cervantes


Alani Hicks-Bartlett



2. "The Machine for Showing Desire": Desert Romance Fiction and Knowing Sexual Desire


Catherine Phipps



3. Entwining Temporalities in Craig Williamson?s The Complete Old English Poems


Elan Justice Pavlinich



Section Two: Material and Emotional Approaches



4. Filling in the Blanks: An Open Door Invitation to a Nineteenth-Century American Period Room


Kate Kramer



5. Scraps of History: Vernacular Archiving and Creative Composition


Ben Nadler



6. Tolkien, Cline, and the Quest for a Silmaril


Tom Ue and James Munday



Section Three: Experiential Approaches



7. Dreams, Historical Knowledge, and Death of a California Fisherwoman


Kevin A. Morrison



8. All Cops are Biased: Historiography as Detective Story


William G. Pooley



9. Sound Puppets: Using Sonic Nonfiction to Perform the Past


Diana Chester and Heidi Stalla



Section Four: Embodied Methodologies


10. Co-Imagining the History of a Village: Autoethnographer as Verbaliser of Experience-Based Knowledge


Jaana Kouri



11. My Writing Journey with the Webers


Pälvi Rantala



13. Knowing Hands: Using Tactile Research Methods in Researching and Writing the History of Design


Grace Lees-Maffei