Innovation in Music: Technology and Creativity
Series: Perspectives on Music Production;
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28 842 Ft (27 469 Ft + 5% VAT)
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28 842 Ft
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Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
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Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Edition number 1
- Publisher Focal Press
- Date of Publication 27 March 2024
- ISBN 9780367633363
- Binding Paperback
- No. of pages354 pages
- Size 254x178 mm
- Weight 453 g
- Language English
- Illustrations 101 Illustrations, black & white; 76 Halftones, black & white; 25 Line drawings, black & white; 13 Tables, black & white 709
Categories
Short description:
Innovation in Music: Technology and Creativity is a groundbreaking collection, bringing together contributions from instructors, researchers and professionals, and including chapters on audience interaction, dynamic music methods, AI and live electronics performances.
MoreLong description:
Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals. Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices.
Including chapters on audience interaction, dynamic music methods, AI, and live electronic performances, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.
MoreTable of Contents:
Part 1: Composition and Performance 1. Rethinking the Relationships Between Space, Performance and Composition in Notated Acoustic Music 2. Timin consistency in live EDM: The ?Performable Recordings? Model 3. The Space is the Place: Interplay and Interaction in an Extreme Location 4. Composing Without Keys: The LFO as a Composition Tool 5. Exploring a Network Setup for Music Experimentation 6. Performance Mapping and Control; Enhanced Musical Connections and a Strategy to Optimise Flow-State 7. Hacking the Concert Experience: Exploring Co-Creative Audience Interaction at a Chiptune Live Performance 8. Exploring Cell-Based Dynamic Music Composition to Create Non-Linear Musical Works 9. A Deepened ?Sense of Place?: Ecologies of Sound and Vibration in Urban Settings and Domesticated Landscapes Part 2: Technology and Innovation 10. ?Yesterday?s Charm, Today?s Precision?: Martin B. Kantola and the Design of a New ?Classic? Microphone (Nordic Audio Labs NU-100K) 11. Audio Beyond Demand: Creative Reinventions of the Broadcast Listening Experience 12. Towards a Standard for Interactive Music 13. Transforming Performance with HASGS: Research-led Artistic Practice with an Augmented Instrument 14. Waveforms as Means of Time Tinkering 15. Levelling up Chiptune: Nostalgic Retro Games Console Sounds for the ROLI Seaboard 16. Forceful Action and Interaction in Non-Haptic Music Interfaces 17. Artificial Creativity and Tools for Understanding: Music, Creative Labour and AI 18. From Digital Assistant to Digital Collaborator 19. Analyse! Development and Integration of Software-Based Tools for Musicology and Music Theory 20. A New Morphology: Strategies for Innovation in Live Electronics Performance
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