Inside Chinese Theater - Rao, Nancy Yunhwa; - Prospero Internet Bookshop

Inside Chinese Theater: Community and Artistry in Nineteenth-Century California and Beyond
 
Product details:

ISBN13:9780252046537
ISBN10:0252046536
Binding:Hardback
No. of pages:392 pages
Size:235x156 mm
Weight:454 g
Language:English
Illustrations: 70 black & white photographs, 3 music examples, 10 tables
700
Category:

Inside Chinese Theater

Community and Artistry in Nineteenth-Century California and Beyond
 
Edition number: First Edition
Publisher: University of Illinois Press
Date of Publication:
Number of Volumes: Hardback
 
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Long description:

In the mid-nineteenth century, Chinese opera theater arrived as one of the significant performing art forms in California. Nancy Yunhwa Rao excavates and contextualizes the important history of Chinese Opera Theater, bringing to light the ways it became woven into the financial, political, social, and family life in California and beyond.

Chinese opera theater found brick-and-mortar homes with San Francisco theaters like the Hing Chuen Yuen and the Donn Qui Yuen. But troupes had already followed Chinese immigrants to mining and railroad towns, and across the American West. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal diaries, newspapers and artifacts to place Chinese theater within the everyday lives of San Francisco. She also examines the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves.

Illustrated with seventy photographs, Inside Chinese Theater is an expert and eloquent journey into the early decades of Chinese opera in America.



“Capturing the extraordinary movements, sounds, spectacles, and central presence of Chinese Cantonese opera in nineteenth century California, Nancy Rao’s Inside Chinese Theater presents a fascinating and long neglected cultural history that is simultaneously American and Transpacific.”--Gordon H. Chang, author of Ghosts of Gold Mountain: The Epic Story of the Chinese Who Built the Transcontinental Railroad
Table of Contents:

Chronology of Chinese Theaters in San Francisco

Note on Chinese Names and Terms

Prologue

Introduction

Chapter 1. First Encounters

Chapter 2. Bringing Opera to the Mines and Railroad Chinese

Chapter 3. Performing Chinese Opera in San Francisco

Chapter 4. Cultural Capital: Theaters on Jackson Street

Chapter 5. Prosperity: A New Theater on Washington Street

Chapter 6. Education, Diplomacy Culture, and the Fourth Theater

Chapter 7. Contest the Restriction Act: In re Ho King

Chapter 8. Star Power and Chinese American Theater

Chapter 9. Picturesque Chinese Theater

Chapter 10. Civil Rights, Owning Glamour, and Sonic Ethnology

Epilogue

Acknowledgments

Glossary

Appendix. Stylistic Characteristics of Cantonese Opera and A Transcription

Notes

Bibliography

Index