Product details:
| ISBN13: | 9781501326790 |
| ISBN10: | 1501326791 |
| Binding: | Hardback |
| No. of pages: | 232 pages |
| Size: | 228x152 mm |
| Weight: | 481 g |
| Language: | English |
| Illustrations: | 48 bw illus |
| 0 |
Category:
Arts in general
Beading, jewellery
Art history in general
19th century and first half of 20th century
Other braches of fine arts
Arts in general (charity campaign)
Beading, jewellery (charity campaign)
Art history in general (charity campaign)
19th century and first half of 20th century (charity campaign)
Other braches of fine arts (charity campaign)
Jewellery in the Age of Modernism 1918-1940
Adornment and Beyond
Series:
Material Culture of Art and Design;
Publisher: Bloomsbury Visual Arts
Date of Publication: 15 November 2018
Number of Volumes: Hardback
Normal price:
Publisher's listprice:
GBP 110.00
GBP 110.00
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46 200 (44 000 HUF + 5% VAT )
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Availability:
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Long description:
Why has jewellery and body adornment often been marginalized in studies of modernist art and design? This study explores the relationship between jewellery, modernism and modernity from the 'jazz age' to the second world war in order to challenge the view that these portable art forms have only a minor role to play in histories of modernism.
From the masterworks of the Parisian jewellery houses to the film and photography of Man Ray, this study seeks to present jewellery in a new light, where issues of representation and display are considered to be as important in the creation of a modern 'jewellery culture' as the objects themselves.
Drawing on material from museums, archives, contemporary journals, memoirs, literary and theoretical texts, this study shows how the emergence of modern jewellery began to seriously question conventional notions of body adornment.
From the masterworks of the Parisian jewellery houses to the film and photography of Man Ray, this study seeks to present jewellery in a new light, where issues of representation and display are considered to be as important in the creation of a modern 'jewellery culture' as the objects themselves.
Drawing on material from museums, archives, contemporary journals, memoirs, literary and theoretical texts, this study shows how the emergence of modern jewellery began to seriously question conventional notions of body adornment.
Table of Contents:
Introduction
Chapter 1: Wearing (and not wearing) jewellery in the 1920s
Chapter 2: New Women: The jewellery of Charlotte Perriand and Nancy Cunard
Chapter 3: Modernism and modernity
Chapter 4: Representing jewellery: Film and photography
Chapter 5: Displaying jewellery 1920-1939
Conclusion
Chapter 1: Wearing (and not wearing) jewellery in the 1920s
Chapter 2: New Women: The jewellery of Charlotte Perriand and Nancy Cunard
Chapter 3: Modernism and modernity
Chapter 4: Representing jewellery: Film and photography
Chapter 5: Displaying jewellery 1920-1939
Conclusion
