Literature and the Senses - Kern-Stähler, Annette; Robertson, Elizabeth; (ed.) - Prospero Internet Bookshop

Literature and the Senses
 
Product details:

ISBN13:9780192843777
ISBN10:019284377X
Binding:Hardback
No. of pages:544 pages
Size:253x76x30 mm
Weight:1204 g
Language:English
532
Category:

Literature and the Senses

 
Edition number: 1
Publisher: OUP Oxford
Date of Publication:
 
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Short description:

This collection of essays breaks new ground in the field of sensory studies. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day.

Long description:
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations.

Literature and the Senses critically probes the role of literature in capturing and scrutinizing sensory perception. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day. The contributors engage with a variety of theorists from Maurice Merleau-Ponty to Michel Serres to Jean-Luc Nancy to foreground the distinctive means by which literary texts engage with, open up, or make uncertain dominant views of the nature of perception.

Considering the ways in which literary texts intersect with and diverge from scientific, epistemological, and philosophical perspectives, these essays explore a wide variety of literary moments of sensation including: the interspecies exchange of a look between a swan and a young Indigenous Australian girl; the sound of bees as captured in an early modern poem; the noxious smell of the 'Great Stink' that recurs in the Victorian novel; the taste of an eggplant registered in a poetic performance; tactile gestures in medieval romance; and the representation of a world in which the interdependence of human beings with the purple hibiscus plant is experienced through all five senses. The collection builds upon and breaks new ground in the field of sensory studies, focusing on what makes literature especially suitable to engaging with, contributing to, and challenging our perennial understandings of, the senses.

By probing the literary representation of sense perception across diverse periods and genres, the contributors to this volume attune us to the power of the written word to conjure worlds of sense. No sense is left unturned in this compendium, which also highlights the interactivity of the senses and the necessity of attending to the social formation of the sensorium or politics of the aesthetic - all of which makes for sensational reading. It is a harbinger of the sensorial revolution in contemporary literary scholarship.
Table of Contents:
Sight
Looking at Faces: Geoffrey Chaucer, Hilary Mantel, and Alexis Wright
Visualizing the Unseen in the Victorian Ghost Story
Descent, Spirit, Heart, Senses
Partial Sight, Dependency, and Open Poetic Form: A Creative Practice
Hearing
'A lowde voys clepyng': Voice-Hearing, Revelation, and Imagination
Attending to Sound in Early Modern Literature: Whythorne, Butler, and Bacon
Acoustics, Echoes, and Whispering Galleries in Romantic Literature
The Roar on the Other Side of Silence: Sound, Hearing, and Social Change in Victorian Literature
A Poetics of Silence: Deafness, Poetics, and the Fate of the Senses
Smell
Festering Lilies: Seeing and Smelling Gender and Race in Renaissance Art and Poetry
Bartholomew Fair's Olfactory Cross-Mappings: Smell, Place, Memory
A Sanitary Sense of Smell: Olfaction and Bodily Boundaries in Victorian Writing
Olfactory Futures in BIPOC Speculative Fiction
Taste
Reading 'Ful savourly': Taste and Good Taste in Later Medieval English Literature
Tastelessness: Lack and Loss of Savour in the Medieval Poetic Imagination
A Taste of 'Sweet Music': Writing (Through) the Senses in Early Modern England
Tasting with Words in Ben Okri's The Famished Road and Chimamanda Ngozi Adichie's Half of a Yellow Sun
The Taste of Revolution
Touch
Contact, Conduct, and Tactile Networks: Touch and its Social Functions in Middle English Verse Romance
Touch and the Sensible in the Play of Mary Magdalene
Histories of the Human Hand: Huxley and Isherwood's Jacob's Hands and Modernist Manual Culture
Touching Wounds: Violence and the Art of 'Feeling'
Multisensoriality
Sensology and Enargeia
Bearing the Word: Speech Scrolls, Touch, and the Carthusian Miscellany
Multisensory Entanglements in Edwidge Danticat's Claire of the Sea Light and Chimamanda Ngozi Adichie's Purple Hibiscus
Salt Taste of the Sea: The Multisensorial Beach in Kate Chopin's The Awakening and Charles Simmons's Salt Water