| ISBN13: | 9780367654764 |
| ISBN10: | 0367654768 |
| Binding: | Paperback |
| No. of pages: | 178 pages |
| Size: | 246x174 mm |
| Weight: | 330 g |
| Language: | English |
| Illustrations: | 34 Illustrations, black & white; 32 Illustrations, color |
| 684 |
Office softwares, spreadsheets
Arts in general
Painting, graphics
Regional studies
The Enlightenment, Romanticism, The Realist Age
History of America
Art history in general
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Arts in general (charity campaign)
Painting, graphics (charity campaign)
Regional studies (charity campaign)
The Enlightenment, Romanticism, The Realist Age (charity campaign)
History of America (charity campaign)
Art history in general (charity campaign)
Mobility and Identity in US Genre Painting
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This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in United States genre paintings during the second half of the long nineteenth century (ca. 1860-1910).
This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860?1910).
Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824?1906), Enoch Wood Perry, Jr. (1831?1915), Thomas Hovenden (1840?95), and John Sloan (1871?1951). It also complicates art history?s canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability.
The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.