Monsieur Francisque?s Touring Troupe and Anglo-French Theatrical Culture, 1690-1770 - Kenny, Robert V.; - Prospero Internet Bookshop

Monsieur Francisque?s Touring Troupe and Anglo-French Theatrical Culture, 1690-1770
 
Product details:

ISBN13:9781837652426
ISBN10:1837652422
Binding:Hardback
No. of pages:416 pages
Size:234x156 mm
Weight:666 g
Language:English
Illustrations: 12 b/w illus.
700
Category:

Monsieur Francisque?s Touring Troupe and Anglo-French Theatrical Culture, 1690-1770

 
Publisher: Boydell Press
Date of Publication:
Number of Volumes: Print PDF
 
Normal price:

Publisher's listprice:
GBP 115.00
Estimated price in HUF:
58 201 HUF (55 430 HUF + 5% VAT)
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Not yet published.
 
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Short description:

This deeply accomplished and lively monograph charts the career of a travelling French actor-manager whose impact and significance have been overlooked.

Long description:
This deeply accomplished and lively monograph charts the career of a travelling French actor-manager whose impact and significance have been overlooked.


The "inimitable Monsieur Francisque" (François Moylin, c. 1690-1770), was an extraordinary actor-manager and key figure in the early eighteenth-century theatre world of both England and France. Leader of a family of gifted performers, including his niece, the famous dancer-choreographer Marie Sallé, he took them to every corner of France and beyond, playing before Louis XV as well as George I and II of England.

However, despite his fame among his contemporaries, Francisque's career has been largely overlooked. Robert V. Kenny resurrects Moylin from the footnotes of theatre history with this detailed case-study of an entrepreneurial actor-manager, his troupe and their repertory. Following them from the Paris fairs to the courts of Europe, via one of the worst riots in English theatre history, the book showcases the giddying range of activities and performances undertaken by this family and their associates.

Through the careful piecing together of diverse and fragmentary historical records, Kenny reveals the crucial role played by Francisque and his troupe in the conflict between Parisian fairground players and the established theatres, stressing Francisque's major contribution to the development of opéra-comique. This book not only revives Moylin's legacy but enriches our understanding of cross-cultural theatrical exchanges in eighteenth-century Europe.