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73 384 Ft (69 890 Ft + 5% VAT)
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73 384 Ft
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Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
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Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.
Product details:
- Edition number 1
- Publisher Focal Press
- Date of Publication 1 April 2025
- ISBN 9781032584669
- Binding Hardback
- No. of pages180 pages
- Size 246x174 mm
- Weight 490 g
- Language English
- Illustrations 4 Illustrations, black & white; 4 Line drawings, black & white 700
Categories
Short description:
Music Production in the Music City considers how music is produced in specific urban contexts, and features four case studies from a diverse set of cities - Berlin, Nashville, Chennai, and Brisbane - to investigate how music comes to be created in locally specific music production contexts.
MoreLong description:
Music Production in the Music City considers how music is produced in specific urban contexts.
Music Production in the Music City features four case studies from a diverse set of cities ? Berlin, Nashville, Chennai, and Brisbane ? to investigate how music comes to be created in locally specific music production contexts. These case studies inform a thorough examination of the various factors that shape music production practices specific to urban contexts. The author uses a new conceptual framework called the ?undersong? to analyse the aural foundations of a city, examining how policy design can help or hinder a productive music production scene.
This is a cutting-edge contribution to music city studies, and will be of great interest to researchers, postgraduates, and advanced undergraduates studying music production and world music. This book will also be of interest to those involved in urban policy work related to the live and recorded music industries.
MoreTable of Contents:
1. The political economy and urban context of music production 2. The relationship between the city and music 3. Why a music city needs more than just live venues: Cities and the tension between recording studios and live music venues 4. Nashville: The first music city 5. Berlin: Technology as scene 6. Chennai: Playing for movies 7. Brisbane: Do more garages mean more garage rock? 8. Discussion 9. Conclusions
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