ISBN13: | 9781138949874 |
ISBN10: | 1138949876 |
Binding: | Hardback |
No. of pages: | 226 pages |
Size: | 229x152 mm |
Weight: | 580 g |
Language: | English |
Illustrations: | 1 Illustrations, black & white; 1 Halftones, black & white |
699 |
Sociology in general, methodology, handbooks
Natural sciences in general, history of science, philosophy of science
Archeology
Literature in general, reference works
History of literature
Literary theory
History in general, methods
Middle Ages
Philosophy of the Middle Ages
Ethnography in general
Sociology in general, methodology, handbooks (charity campaign)
Natural sciences in general, history of science, philosophy of science (charity campaign)
Archeology (charity campaign)
Literature in general, reference works (charity campaign)
History of literature (charity campaign)
Literary theory (charity campaign)
History in general, methods (charity campaign)
Middle Ages (charity campaign)
Philosophy of the Middle Ages (charity campaign)
Ethnography in general (charity campaign)
Natural and Artificial Bodies in Early Modern England
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It studies 17th century texts which distinctions between the natural and the artificial interfold. It examines how 4 writers theorized bodies and objects as characters in sometimes scenarios involving human entanglements in the phenomenal world. The chapters present readings of Herrick,Cavendish and Milton, a Restoration comedy.
This book brings contemporary ways of reconceptualizing the human relationship to things into conversation with seventeenth-century writing, exploring how the literature of the period intersected with changing understandings of the conceptual structure of matter and how human beings might reconfigure their place in a web of nonhuman relations. Focusing on texts that cross the frontier between literature and science, Snider recovers the material and body worlds of seventeenth-century culture as treated in poetry, natural philosophy, medical treatises, comedy, and prose fiction. He shows how a range of writers understood and theorized ?matter,? ?bodies,? and ?spirits? as characters in complex and sometimes bizarre scenarios involving human relationships to the phenomenal world. The logic that made matter subject to uniform theorizing facilitated a crossing of boundaries between the human and nonhuman and became a persistent figure of explanation at the time when distinctions between the natural and the artificial were undergoing reformulation.
Acknowledgments
Introduction
Chapter 1: Silk: Robert Herrick?s ?Upon Julia?s Clothes?
Chapter 2: Ice: Paradise Lost under Northern Skies
Chapter 3: Blood: Animal Transfusion
Chapter 4: Worlds: Margaret Cavendish?s Blazing World
Index