ISBN13: | 9781032929408 |
ISBN10: | 1032929405 |
Binding: | Paperback |
No. of pages: | 168 pages |
Size: | 246x174 mm |
Weight: | 310 g |
Language: | English |
Illustrations: | 2 Illustrations, black & white; 19 Illustrations, color |
695 |
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Arts in general (charity campaign)
Painting, graphics (charity campaign)
The Enlightenment, Romanticism, The Realist Age (charity campaign)
Modernism, postmodernism (charity campaign)
History of Europe (charity campaign)
Art history in general (charity campaign)
19th century and first half of 20th century (charity campaign)
Exhibition catalogues (charity campaign)
Other braches of fine arts (charity campaign)
Museology (charity campaign)
Further readings in travel (charity campaign)
?ngel Planells? Art and the Surrealist Canon
GBP 39.99
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Having been mistakenly perceived as a mere follower of Salvador Dalí, Catalan Surrealist painter and poet ?ngel Planells (1901-1989) has passed through the history of art practically unnoticed. In this book, Anna Vives reconfigures the canon of Hispanic Surrealism by bringing Planells center stage.
Having been mistakenly perceived as a follower of Salvador Dalí, Catalan surrealist painter and writer ?ngel Planells (1901?1989) has passed through the history of art practically unnoticed. Yet his work suggests an influence on a number of works by Dalí, proving that a fairer way to define their relationship is as an artistic dialogue. His participation in the groundbreaking International Surrealist Exhibition in London in 1936 is in itself a marker of his quality as an artist, but Planells? contribution to surrealism is remarkable for his use of astronomy, fantastic scenes redolent of Edgar Allan Poe?s narrative as well as ludic elements and meta-pictorial techniques that contest Fascism.
Introduction; 1. Planells and Dalí: Reevaluating Their Relationship; 2. Planells: Between the Fantastic and Surrealism; 3. Planells? Participation in Two Major Exhibitions; 4. Planells? Interaction with War and Dictatorship; 5. Astronomy in Planells? Paintings, Drawings and Literary Texts; Conclusion