Performing Human Consciousness
A Philosophical Investigation into the Staging of the Mind
Series: Routledge Advances in Theatre & Performance Studies;
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Product details:
- Edition number 1
- Publisher Routledge
- Date of Publication 30 September 2024
- ISBN 9781032383149
- Binding Hardback
- No. of pages134 pages
- Size 234x156 mm
- Weight 453 g
- Language English 650
Categories
Short description:
This study reveals the socially binding importance of the integrated enterprise of theatre: performance and text in the cultural arena.
MoreLong description:
Is the mind like a theatrical performance? This comparison has often been used as a conceptual tool by neuroscientists, philosophers and psychologists in trying to understand what constitutes the human mind, and in particular how the comings and goings and the character transformations on the stage and in the scripted text give us visible access to the hidden workings of the human mind.
Performing Human Consciousness makes use of this metaphor to explore the variety of ways in which the private thoughts and feelings we all have bring into play many aspects of persistent philosophical questions over how the essentially private world of personal experiences can relate to and communicate with the common public world. To investigate this generalisation in more detail, the author brings into play her own conscious experiences by making use of an auto-inscribed play Being Me. Through this dramatic medium, she seeks to show in detail how phenomenal consciousness is captured through the dramatic play text and thereby made known to others through performance of that text. Broadening out her argument further, the author then embarks on an enquiry into a selection of play texts from an historical variety of perspectives, from the early Greek and Mediaeval dramas, through to the Symbolist period and onwards to the present day, demonstrating the variety of ways in which they illustrate her argument.
This book will be of great interest to students and scholars of theatre and performance and scriptwriting.
MoreTable of Contents:
Foreword: A personal journey
Introduction
Part I: The performance of consciousness
Chapter 1: Going beyond the theatre metaphor
Chapter 2: Which consciousness
Chapter 3: What is it like to be conscious?
Chapter 4: The play?s the thing
Chapter 5: What it is like to be me
Chapter 6: The properties of dreaming consciousness
Part II: The rise of the performance of consciousness in theatre scripts
Chapter 7: Agon
Chapter 8: The rise of the psychological play
Chapter 9: The postmodern play and the internal theatre
Chapter 10: The lyrical return
Chapter 11: The theatre of energetics on the page
Chapter 12: All the mind is staged
Index
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