Posthumanist Collaborations in Performance - Brisini, Travis; Simmons, Jake; Spry, Tami; - Prospero Internet Bookshop

Posthumanist Collaborations in Performance: A Praxis-based Approach to Qualitative Inquiry
 
Product details:

ISBN13:9781032610269
ISBN10:1032610263
Binding:Hardback
No. of pages:166 pages
Size:234x156 mm
Weight:467 g
Language:English
Illustrations: 15 Illustrations, black & white; 15 Halftones, black & white
692
Category:

Posthumanist Collaborations in Performance

A Praxis-based Approach to Qualitative Inquiry
 
Edition number: 1
Publisher: Routledge
Date of Publication:
 
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GBP 135.00
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Short description:

Posthumanist Collaborations in Performance synthesizes and develops original posthumanist theories of performance to produce an approachable and example-driven text for readers interested in understanding and utilizing posthumanist philosophy for performance in broad qualitative inquiry contexts.

Long description:

Posthumanist Collaborations in Performance presents a novel approach for readers to engage with new materialist performance as a method of qualitative inquiry and as a means of combating the anthropocentric loneliness of modern life.


It offers a theoretical and practical examination of how we are fundamentally entangled with a more-than-human world through practices the authors call ?naturecultural performances.? The book features a collaborative body of arts-based research by three scholars working at the intersections of performance studies, new materialism, environmental studies, and qualitative inquiry. The result is an interdisciplinary body of theoretical scholarship, including a wide array of landscapes, plants, animals, minerals, and other more-than-human agencies. The book also presents practical examples and case studies of naturecultural performances, showcasing the diverse ways in which the concept of ?natureculture? can be applied in research and creative practice.


This book will be of interest to faculty, graduate and undergraduate students, performance practitioners, and anyone else interested in exploring or creating work based on their own fundamental relationships with the more-than-human world.

Table of Contents:

Introduction: Setting the Naturecultural Stage Part 1: Groundwork  1. Loneliness and Hope in a More-than-human World   2. Naturecultural Performance;  Part 2: Bodywork  3. The Natureculture Body;  Part 3: Fieldwork  4.  Approaching Horn Island  5. Plant(ing) Kinship  6. Canid Landscapes  7. Eating the Thrasher  8. Like Water Over Rocks  9. Sculpting the High Plains; Conclusion: Habitus, Performativity, and Naturecultural Performance in the Eremocene