Put Your Hands on Your Hips and Act Like a Woman: Black History and Poetics in Performance
 
Product details:

ISBN13:9781496238894
ISBN10:1496238893
Binding:Paperback
No. of pages:246 pages
Size:229x152 mm
Weight:360 g
Language:English
Illustrations: 1 photograph, 4 illustrations, index
666
Category:

Put Your Hands on Your Hips and Act Like a Woman

Black History and Poetics in Performance
 
Publisher: University of Nebraska Press
Date of Publication:
Number of Volumes: Trade Paperback
 
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GBP 25.99
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Short description:

In a gathering of griot traditions fusing storytelling, cultural history, social, and literary criticism, Gale P. Jackson “re-members” and represents how women of the African diaspora have drawn on ancient traditions to record memory, history, and experience in song, dance, and poetics in performance.
 

Long description:

In a gathering of griot traditions fusing storytelling, cultural history, and social and literary criticism, Put Your Hands on Your Hips and Act Like a Woman “re-members” and represents how women of the African diaspora have drawn on ancient traditions to record memory, history, and experience in performance. 

These women’s songs and dances provide us with a wealth of polyphonic text that records their reflections on identity, imagination, and agency, providing a collective performed autobiography that complements the small body of pre-twentieth-century African and African American women’s writing.

Gale P. Jackson engages with a range of vibrant traditions to provide windows into multiple discourses as well as “new” and old paradigms for locating the history, philosophy, pedagogy, and theory embedded in a lineage of African diaspora performance and to articulate and address the postcolonial fragmentation of humanist thinking. In lyrically interdisciplinary movement, across herstories, geographies, and genres, cultural continuities, improvisation, and transformative action, Put Your Hands on Your Hips and Act Like a Woman offers a fresh perspective on familiar material and an expansion of our sources, reading, and vision of African diaspora, African American, and American literatures.
 



“The particular significance of this rich scholarship is the way it foregrounds and uplifts music, movement, dance, and cultural practice in the long, complex, and astonishing story of struggle, resilience, imagination, survival, and innovation among African diasporic people. The movement detailed and the role of story, percussion, and sound offer histories/herstories of people continuously facing unspeakable brutalities and invasions of the body and soul, who will always continue to live their ancestries, their cultures, and the maps of their souls in folklore and in the physical world. This is rich, essential work.”—Kathy Engel, poet and associate arts professor, Tisch School of the Arts, New York University