Product details:
ISBN13: | 9781350127449 |
ISBN10: | 1350127442 |
Binding: | Hardback |
No. of pages: | 232 pages |
Size: | 246x189 mm |
Language: | English |
Illustrations: | 260 colour illus |
512 |
Category:
Repeat Printed Pattern for Interiors
Publisher: Bloomsbury Visual Arts
Date of Publication: 12 January 2023
Number of Volumes: Hardback
Normal price:
Publisher's listprice:
GBP 75.00
GBP 75.00
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Long description:
Repeating patterns can soothe or energize us, bringing joy and harmony to everyday life. Repeat Printed Pattern for Interiors explores the power repeat patterns hold over us and what goes into creating original, effective printed designs. Beginning with the history of patterns in interior design, Kate Farley uncovers lessons from the work of Owen Jones, William Morris, Collier Campbell and Josef Frank.
There are also interviews with some of the best contemporary pattern designers working today: Angie Lewin, Deborah Bowness, Eley Kishimoto, Emma J. Shipley, Galbraith & Paul, Neisha Crosland, Orla Kiely OBE, Sarah Campbell and Timorous Beasties. Each interview covers the designer's practice and ethos and includes a deconstruction of one design, with discussion of initial sketches, details of design development, manufacturing insights and images of final products.
Covering hand-drawn techniques through to digital manipulation, you'll also be guided through the implications of visual language, colour statements, manufacturing considerations and commercial interior contexts to prepare you to jump in and start creating your own unique patterns.
There are also interviews with some of the best contemporary pattern designers working today: Angie Lewin, Deborah Bowness, Eley Kishimoto, Emma J. Shipley, Galbraith & Paul, Neisha Crosland, Orla Kiely OBE, Sarah Campbell and Timorous Beasties. Each interview covers the designer's practice and ethos and includes a deconstruction of one design, with discussion of initial sketches, details of design development, manufacturing insights and images of final products.
Covering hand-drawn techniques through to digital manipulation, you'll also be guided through the implications of visual language, colour statements, manufacturing considerations and commercial interior contexts to prepare you to jump in and start creating your own unique patterns.
Table of Contents:
About the Author
Introduction
1. Patterns in History
Baroque Bold
Neoclassical formality
Trading with pattern (Chintz & Paisley)
Arts and Crafts and the Aesthetic agenda 1860s-1890s
Art Nouveau and the Decorative style 1890-1930s
ARTISAN APPROACH 1900 - 1930s
Modern mode 1920s-1940s
Post-war 1945-1960s
Upbeat Escapism and Calm retreats late 1960s-1980s
Post-modern magic and digital design 1980-2020
2. The Basics - making patterns
Introduction
Pattern language and process
Choosing the look, making motifs
Repeat and rhythm
Colour in design
Digital design: an introduction
Printing: traditionally or digitally?
Application and context
3. Design Process: Interviews
Emma J. Shipley
Angie Lewin
Orla Kiely OBE
Sarah Campbell
Neisha Crosland
Timorous Beasties
Galbraith and Paul
Deborah Bowness
Eley Kishimoto
Conclusion
Introduction
1. Patterns in History
Baroque Bold
Neoclassical formality
Trading with pattern (Chintz & Paisley)
Arts and Crafts and the Aesthetic agenda 1860s-1890s
Art Nouveau and the Decorative style 1890-1930s
ARTISAN APPROACH 1900 - 1930s
Modern mode 1920s-1940s
Post-war 1945-1960s
Upbeat Escapism and Calm retreats late 1960s-1980s
Post-modern magic and digital design 1980-2020
2. The Basics - making patterns
Introduction
Pattern language and process
Choosing the look, making motifs
Repeat and rhythm
Colour in design
Digital design: an introduction
Printing: traditionally or digitally?
Application and context
3. Design Process: Interviews
Emma J. Shipley
Angie Lewin
Orla Kiely OBE
Sarah Campbell
Neisha Crosland
Timorous Beasties
Galbraith and Paul
Deborah Bowness
Eley Kishimoto
Conclusion