| ISBN13: | 9781032492490 |
| ISBN10: | 103249249X |
| Binding: | Paperback |
| No. of pages: | 230 pages |
| Size: | 234x156 mm |
| Weight: | 430 g |
| Language: | English |
| Illustrations: | 38 Illustrations, black & white; 38 Halftones, black & white |
| 689 |
Arts in general
Musicology in general and music history
Classical music
Pop, rock
Other branches of pop music
Cultural studies
Cultural anthropology
Arts in general (charity campaign)
Musicology in general and music history (charity campaign)
Classical music (charity campaign)
Pop, rock (charity campaign)
Other branches of pop music (charity campaign)
Cultural studies (charity campaign)
Cultural anthropology (charity campaign)
Representing Hip Hop Histories, Politics and Practices in Australia
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This long-awaited volume is the first to focus entirely on Hip Hop in Australia. Bringing together both scholarly and practitioner perspectives, across eleven chapters, contributors explore the diversity of identities, communities, practices, and expressions that make-up Hip-Hop in Australia.
This long-awaited volume is the first edited collection to focus entirely on Hip Hop in Australia. Bringing together both scholarly and practitioner perspectives, across 11 chapters, contributors explore the diversity of identities, communities, practices, and expressions that make-up Hip Hop in Australia, including Emceeing/ music production, Graffiti and Breaking.
The theoretical and methodological frameworks used include ethnographic and autoethnographic research and writing, discourse analysis, Indigenous methodologies, textual analysis and archival research. Some authors present their contributions in academic chapters, while others use creative formats. The book showcases how Hip Hop is understood and lived across numerous settings in Australia, making important contributions to global Hip Hop studies and scholarship in related fields such as popular music, youth culture and First Nations Studies.
It will prove essential reading for students, academics, and practitioners interested in Hip Hop, social justice, popular culture, music and dance in Australia.
?Hip Hop aesthetics, politics, and education in Australia come alive in this sweeping survey of practices, methods, and voices, including First Nations and other marginalised artists and scholars. An inspired, vital contribution to the literature!?
-Jeff Chang, Can?t Stop Won?t Stop: A History of the Hip-Hop Generation
?An antidote to one-size-fits-all descriptions of Hip Hop in Australia. It?s refreshing, real, challenging and inspiring. Academics and Hip Hoppers share stories from across this great southern land, never scared to ask tough questions, never shying away from the richness and complexity of those who love, live and are Hip Hop.?
-Morganics (MetaBass'n'Breath) veteran Australian Hip Hop artist.
?Much more than a set of compelling essays about Australian Hip Hop. Representing Hip Hop Histories, Politics and Practices in Australia speaks with insight and authority to both the emergence and development of a discrete field of studies, and to urgent contemporary debates about what it is to be in, and to make culture in, Australia.?
-Ian Maxwell, Theatre and Performance Studies, University of Sydney.
"Australian Hip Hop is grossly undervalued and marginalised. There is little quality academic research about it. This book brings together practitioners and academics in a wide-ranging and incisive exploration of Australian Hip Hop at the borders of Indigenous and settler culture. It is an important step forward in discussions of Hip Hop in Australia."
-Jon Stratton, Adjunct Professor, UniSA Creative, University of South Australia.
Introduction: Representing Hip Hop in Australia Section 1: Hip Hop Histories, Eras and Evolutions 1. Graffiti and Hip Hop in Australia: An Interview with Matthew MISTERY Peet 2. From Gen X to Gen Y: Hip-Hop Life-Stories in Australia 3. Revisiting Nationalism and Multiculturalism in So-called Australian Hip Hop Section 2: Hip Hop Activism and Politics 4. Hip Hop, Activism and Other Stories (Herstory) 5. ?Hip Hop Crim? - A Discourse Analysis of Conscious First Nations Hip Hop Contesting Australia's Criminal Justice System 6. We Need to Infiltrate Those Spaces: Space-Reclaiming through Counternarratives in First Nations Hip-Hop in Sydney 7. ?Hip-Hop Fam? or a Larrikin Brand? Urthboy and the Bind of the Conscious MC Section 3: Hip Hop Performance Practices and Place 8. Hip Hop Dance Jams and Cyphers 9. Pirlapakarnu Cypher: Beyond Representing Place to Warlpiri Embodiments of Country in Milpirri Hip Hop 10. ?Who is this Imposter??: Women in Australian Underground Hip Hop 11. ?In a Good Way There?s No BEEF, but the Bad Thing is There?s No BEEF?: Tensions and Changing Cultural Politics in Sydney?s Breaking Scene.
