Product details:
ISBN13: | 9781350464094 |
ISBN10: | 13504640911 |
Binding: | Paperback |
No. of pages: | 288 pages |
Size: | 234x156 mm |
Weight: | 728 g |
Language: | English |
Illustrations: | 21 bw illus and 8pp colour plate section |
661 |
Category:
Scenographic Design Drawing
Performative Drawing in an Expanded Field
Series:
Drawing In;
Publisher: Bloomsbury Visual Arts
Date of Publication: 11 July 2024
Number of Volumes: Paperback
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Long description:
This enlightening study explores the set design drawings for theatre and live performance, highlighting their unique qualities within the greater arena of drawing practice and theory. The latest volume in the Drawing In series, Scenographic Design Drawing encourages an interdisciplinary dialogue in the field of drawing with the inclusion of illustrations throughout.
Scenographic design drawings visualize the images in the designer's 'mind's eye' early in the design process. They are the initial design tool in the creative engagement with theatre, opera, dance, and non-text-based performance. It is, in particular, this body of drawings that is unique as both a performative and a theatrical representation of multiple worlds within the 'stage space'. Sue Field illuminates this illustration process and identifies how these drawings have functioned and developed over time.
Scenographic Design Drawing serves to satisfy an emerging global curiosity and a thirst for new knowledge and understanding in relation to the drawings executed by the historical and contemporary scenographer. This work addresses a critical research gap and shows how the scenographic design drawing continues to be a principal site of innovation, subjectivity, originality and authorship in theatre and live performance.
Scenographic design drawings visualize the images in the designer's 'mind's eye' early in the design process. They are the initial design tool in the creative engagement with theatre, opera, dance, and non-text-based performance. It is, in particular, this body of drawings that is unique as both a performative and a theatrical representation of multiple worlds within the 'stage space'. Sue Field illuminates this illustration process and identifies how these drawings have functioned and developed over time.
Scenographic Design Drawing serves to satisfy an emerging global curiosity and a thirst for new knowledge and understanding in relation to the drawings executed by the historical and contemporary scenographer. This work addresses a critical research gap and shows how the scenographic design drawing continues to be a principal site of innovation, subjectivity, originality and authorship in theatre and live performance.
Table of Contents:
List of Figures
Introduction
1. Drawn Behind the Fourth Wall
2. Creating a Scene
3. Staging Architecture
4. Drawn to Perform
5. The Drawn Absence
6. Drawn into the Future
References
Notes
Index
Introduction
1. Drawn Behind the Fourth Wall
2. Creating a Scene
3. Staging Architecture
4. Drawn to Perform
5. The Drawn Absence
6. Drawn into the Future
References
Notes
Index