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    Schwarz?Wei? ? Max Liebermanns Druckgrafik: Max Liebermanns Druckgrafik

    Schwarz?Wei? ? Max Liebermanns Druckgrafik by Wasensteiner, Lucy;

    Max Liebermanns Druckgrafik

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      • Publisher's listprice EUR 32.99
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        13 994 Ft (13 327 Ft + 5% VAT)
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      • Discounted price 13 294 Ft (12 661 Ft + 5% VAT)

    13 994 Ft

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    Product details:

    • Edition number 1
    • Publisher MC ? De Gruyter
    • Date of Publication 18 April 2022

    • ISBN 9783422986824
    • Binding Paperback
    • No. of pages128 pages
    • Size 285x232x15 mm
    • Weight 710 g
    • Language English
    • Illustrations 5 Illustrations, black & white; 80 Illustrations, color
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    Long description:

    Max Liebermann (1847?1935) ? Mitbegründer der Berliner Secession und langjähriger Präsident der Akademie der Künste ? war einer der wichtigsten Künstler seiner Generation. Neben seinem beeindruckenden malerischen Werk spielt auch Liebermanns Druckgrafik eine wichtige Rolle: Über 600 Motive als Radierungen, Lithografien und Holzschnitte sind heute in Museums- und Privatsammlungen auf der ganzen Welt verteilt. Dieser Katalog bietet eine Einführung in Liebermanns druckgrafische Arbeiten anhand ausgewählter Werke aus der Sammlung der Max-Liebermann-Gesellschaft Berlin. Darüber hinaus werden die gängigen, druckgrafischen Techniken vorgestellt sowie die Entwicklung der Druckgrafik des bedeutendsten Vertreters des Impressionismus genauer beleuchtet. Fokussiert wird die Sammlungs- und Ausstellungsgeschichte seiner druckgrafischen Blätter sowie die Erforschung dieser Werke heute.



    Max Liebermann (1847?1935)?a co-founder of the Berlin Secession and President of the Akademie der Kunste for many years?was one of the most important artists of his generation. In addition to his impressive painting oeuvre, Liebermann?s graphic prints also assume an important role: over 600 motifs as etchings, lithographs, and woodcuts are found today in museum and private collections around the world. This catalogue provides an introduction to Liebermann?s graphic prints based on selected works from the collection of the Max Liebermann Society Berlin. It also presents common printmaking techniques and provides a detailed examination of the development of the graphic prints by the most signifi cant representative of Impressionism. The focus is thus on the history of the collecting and exhibiting of his print graphic works as well as the research on these works.

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