ISBN13: | 9781137466884 |
ISBN10: | 113746688X |
Binding: | Hardback |
No. of pages: | 98 pages |
Size: | 216x140 mm |
Weight: | 286 g |
Language: | English |
Illustrations: | VI, 98 p. |
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Natural sciences in general, history of science, philosophy of science
Cinema, film, TV, radio
Photography
Media and information industry
Adventure stories
Dramas in English
Natural sciences
Media and communication science in general
Other crime, mystery
Natural sciences in general, history of science, philosophy of science (charity campaign)
Cinema, film, TV, radio (charity campaign)
Photography (charity campaign)
Media and information industry (charity campaign)
Adventure stories (charity campaign)
Dramas in English (charity campaign)
Natural sciences (charity campaign)
Media and communication science in general (charity campaign)
Other crime, mystery (charity campaign)
Screen Hustles, Grifts and Stings
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Screen Hustles, Grifts and Stings identifies recurrent themes and techniques of the con film, suggests precedents in literature and discusses the perennial appeal of the con man for readers and viewers alike. Core studies span from film (Catch Me If You Can, Paper Moon, House of Games) to television (Hustle), from Noir (The Grifters) to Romantic Comedy (Gambit). Frequently, the execution of the con is only finely distinguishable from the conduct of a legitimate profession and, challengingly, a mark is often shown to be culpable in his or her undoing. The best con films, it is suggested, invite re-watching and reward the viewer accordingly: who is complicit and when? How and where is the con achieved? When is the viewer party to the con? And what, if any, moral is to be drawn?
Screen Hustles, Grifts and Stings identifies recurrent themes and techniques of the con film, suggests precedents in literature and discusses the perennial appeal of the con man for readers and viewers alike. Core studies span from film (Catch Me If You Can, Paper Moon, House of Games) to television (Hustle), from Noir (The Grifters) to Romantic Comedy (Gambit). Frequently, the execution of the con is only finely distinguishable from the conduct of a legitimate profession and, challengingly, a mark is often shown to be culpable in his or her undoing. The best con films, it is suggested, invite re-watching and reward the viewer accordingly: who is complicit and when? How and where is the con achieved? When is the viewer party to the con? And what, if any, moral is to be drawn?
1. Lone Operators
2. Two-Handers: Buddy-Buddies; Young Upstarts and Double-Dealers
3. Aesop and Brer Rabbit
4. The Big Store
5. The Long Con
Bibliography