Product details:
ISBN13: | 9780198923152 |
ISBN10: | 0198923155 |
Binding: | Hardback |
No. of pages: | 288 pages |
Size: | 234x156 mm |
Language: | English |
Illustrations: | 47 colour illustrations |
700 |
Category:
Shakespeare's Afterlife in the Royal Collection
Dynasty, Ideology, and National Culture
Publisher: OUP Oxford
Date of Publication: 27 February 2025
Normal price:
Publisher's listprice:
GBP 30.00
GBP 30.00
Your price:
14 175 (13 500 HUF + 5% VAT )
discount is: 10% (approx 1 575 HUF off)
The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
Click here to subscribe.
Click here to subscribe.
Availability:
Not yet published.
Short description:
Explores the extent to which members of the royal family have appropriated the creative legacy of Shakespeare, from the mid-eighteenth century to the mid-twentieth century, in order to shore up royal and national ideologies and to assert the legitimacy of the monarchy.
Long description:
This unique collection of essays and images explores a series of objects in the Royal Collection as a means of assessing the interrelated histories of the British royal family and the Shakespearean afterlife across four centuries. Between the beginning of the eighteenth century and the late twentieth, Shakespeare became entrenched as the English national poet. Over the same period, the monarchy sought repeatedly to demonstrate its centrality to British nationhood. By way of close analysis of a selection of objects from the Royal Collection, this volume argues that the royal family and the Shakespearean afterlife were far more closely interwoven than has previously been realized.
The chapters map the mutual development over time of the relationship between members of the British royal family and Shakespeare, demonstrating the extent to which each has gained sustained value from association with the other and showing how members of the royal family have individually and collectively constructed their identities and performed their roles by way of Shakespearean models. Each chapter is inspired by an object in (or formerly in) the Royal Collection and explores two interconnected questions: what has Shakespeare done for the royal family, and what has the royal family done for Shakespeare? The chapters range across the fields of art, theatre history, literary criticism, literary history, court studies and cultural history, showing how the shared history of Shakespeare and the royal family has been cultivated across media and across disciplines.
The chapters map the mutual development over time of the relationship between members of the British royal family and Shakespeare, demonstrating the extent to which each has gained sustained value from association with the other and showing how members of the royal family have individually and collectively constructed their identities and performed their roles by way of Shakespearean models. Each chapter is inspired by an object in (or formerly in) the Royal Collection and explores two interconnected questions: what has Shakespeare done for the royal family, and what has the royal family done for Shakespeare? The chapters range across the fields of art, theatre history, literary criticism, literary history, court studies and cultural history, showing how the shared history of Shakespeare and the royal family has been cultivated across media and across disciplines.
Table of Contents:
Introduction
1616
The 'Disappointment' of Charles I's Shakespeare Second Folio
1700
Henry V and Early Hanoverian Self-Fashioning
'A Wild and Unruly Youth'
Moral painting
David Garrick and the President's Chair
Queen Charlotte and the Royal Narratives of Boydell's Shakespeare Prints
George III and the other 'Mad King'
Disability and Mutable Spectatorship
Fake and Authentic Shakespeare
1800
'Well-Authenticated Blocks'
Why did George IV own a Shakespeare First Folio?
From Performance to Portfolio
Hamlet Disowned
Princess Victoria and the Cult of Celebrity
Shakespeare in the Rubens Room
Monument and Montage
Puck and the Prince of Wales
Much Ado about Tapestry
Disappearances and The Durbar
1900
'All England in Warm Sepia': Queen Mary and the Church of the Holy Trinity
Shakespeare in Miniature
Shashibiya
Cultural (Dis)inheritance and the Decline of Empire in The Prince's Choice
Bibliography
1616
The 'Disappointment' of Charles I's Shakespeare Second Folio
1700
Henry V and Early Hanoverian Self-Fashioning
'A Wild and Unruly Youth'
Moral painting
David Garrick and the President's Chair
Queen Charlotte and the Royal Narratives of Boydell's Shakespeare Prints
George III and the other 'Mad King'
Disability and Mutable Spectatorship
Fake and Authentic Shakespeare
1800
'Well-Authenticated Blocks'
Why did George IV own a Shakespeare First Folio?
From Performance to Portfolio
Hamlet Disowned
Princess Victoria and the Cult of Celebrity
Shakespeare in the Rubens Room
Monument and Montage
Puck and the Prince of Wales
Much Ado about Tapestry
Disappearances and The Durbar
1900
'All England in Warm Sepia': Queen Mary and the Church of the Holy Trinity
Shakespeare in Miniature
Shashibiya
Cultural (Dis)inheritance and the Decline of Empire in The Prince's Choice
Bibliography