Product details:
| ISBN13: | 9781350445635 |
| ISBN10: | 13504456311 |
| Binding: | Hardback |
| No. of pages: | pages |
| Size: | 216x138 mm |
| Language: | English |
| 700 |
Category:
Staging Change
Toward a Theatrical Theory of Activist Performance
Publisher: Methuen Drama
Date of Publication: 23 January 2025
Number of Volumes: Hardback
Normal price:
Publisher's listprice:
GBP 85.00
GBP 85.00
Your price:
37 814 (36 014 HUF + 5% VAT )
discount is: 13% (approx 5 650 HUF off)
The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
Click here to subscribe.
Click here to subscribe.
Availability:
Not yet published.
Long description:
Exploring a wide variety of examples of activist performances, such as David Buckel's self-immolation, and the January 6th capitol insurrection, this book analyses activist performance through the lens of postdramatic theatre theory.
Staging Change poses the provocative question: are activists addicted to drama? Scrimer examines the ways in which the performance and reception of protest is informed by the logic of dramatic theatre, and argues that such performative arrangements are so naturalized that they can limit the ability of activists and their audiences to imagine different ways of precipitating change. By combining performance analysis, interviews with artists and activists, and autoethnographic accounts of the author's own experiences as an environmental activist, the book illustrates the limitations and alternatives to dramatic representation in activist performance.
The last decade has seen an increase in political demonstrations worldwide, particularly following the excitement and disappointments of the Arab Spring uprisings. We have seen several notable movements such as the Occupy movement, the mobilization of Black Lives Matter, and the
Staging Change poses the provocative question: are activists addicted to drama? Scrimer examines the ways in which the performance and reception of protest is informed by the logic of dramatic theatre, and argues that such performative arrangements are so naturalized that they can limit the ability of activists and their audiences to imagine different ways of precipitating change. By combining performance analysis, interviews with artists and activists, and autoethnographic accounts of the author's own experiences as an environmental activist, the book illustrates the limitations and alternatives to dramatic representation in activist performance.
The last decade has seen an increase in political demonstrations worldwide, particularly following the excitement and disappointments of the Arab Spring uprisings. We have seen several notable movements such as the Occupy movement, the mobilization of Black Lives Matter, and the
Table of Contents:
Exploring a wide variety of examples of activist performances, this book analyses activist performance through the lens of post-dramatic theatre theory.
