Product details:
| ISBN13: | 9781350236882 |
| ISBN10: | 1350236888 |
| Binding: | Hardback |
| No. of pages: | pages |
| Size: | 216x138 mm |
| Language: | English |
| Illustrations: | 25 bw illus |
| 700 |
Category:
Text as Dance
Walter Benjamin, Louis Marin, and Choreographies of the Baroque
Publisher: Bloomsbury Academic
Date of Publication: 23 January 2025
Number of Volumes: Hardback
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Long description:
This book offers a groundbreaking investigation into issues of gender, power and the representation of sovereignty in French Baroque court ballet - and in today's performances that recall them.
Mark Franko uses powerful interpretive tools derived from historiography and critical theory, especially the work of German-Jewish philosopher Walter Benjamin, to offer the reader both a historical and a theoretical interpretation of this genre of dance in France (c. 1615-1654), as well as its aftermath and legacy today.
Through doing so, he reaches conclusions about how sovereignty and power were both perceived by viewers at the time and how they were represented through dance, given that it was the noble class who devised and performed court ballets. He enquires into the role of choreography and theatricality as potentially critical forces operating at the heart of sovereignty.
Franko places the work of Louis Marin on power, representation and movement in French Baroque painting and performance in juxtaposition to that of Benjamin on theater. Other historians whose work is prominent in this study are Ernst Kantorowicz, Michel Foucault and José Antonio Maravall.
With wide breadth in the work of historians, philosophers, political scientists, critical theorists, musicologists and dance historians, this is the culmination of a career's-worth of scholarship and research in the field.
Mark Franko uses powerful interpretive tools derived from historiography and critical theory, especially the work of German-Jewish philosopher Walter Benjamin, to offer the reader both a historical and a theoretical interpretation of this genre of dance in France (c. 1615-1654), as well as its aftermath and legacy today.
Through doing so, he reaches conclusions about how sovereignty and power were both perceived by viewers at the time and how they were represented through dance, given that it was the noble class who devised and performed court ballets. He enquires into the role of choreography and theatricality as potentially critical forces operating at the heart of sovereignty.
Franko places the work of Louis Marin on power, representation and movement in French Baroque painting and performance in juxtaposition to that of Benjamin on theater. Other historians whose work is prominent in this study are Ernst Kantorowicz, Michel Foucault and José Antonio Maravall.
With wide breadth in the work of historians, philosophers, political scientists, critical theorists, musicologists and dance historians, this is the culmination of a career's-worth of scholarship and research in the field.
Table of Contents:
Introduction: The Problem of the Baroque in Trans-historical Perspective
Chapter 1: The Conduct of Contemplation and the Gestural Ethics of Interpretation in Walter Benjamin's "Epistemo-Critical Prologue"
Chapter 2: Between Sacrality and Perspectivalism: Theories of Spectatorship in Jose´ Antonio Maravall and Louis Marin
Chapter 3: The Problem Ballets: Theatricality and The Paradox of Sovereignty
Chapter 4: The Melancholy of Figurability: Marin with Benjamin and the Allegory of Absolutism
Chapter 5: "A Subtle System of Feints": Phenomenological Description and Theatricality in Foucault's "Las Meninas"
Chapter 6: The Language Model in William Forsythe's Artifact
Notes
Bibliography:
Index
Chapter 1: The Conduct of Contemplation and the Gestural Ethics of Interpretation in Walter Benjamin's "Epistemo-Critical Prologue"
Chapter 2: Between Sacrality and Perspectivalism: Theories of Spectatorship in Jose´ Antonio Maravall and Louis Marin
Chapter 3: The Problem Ballets: Theatricality and The Paradox of Sovereignty
Chapter 4: The Melancholy of Figurability: Marin with Benjamin and the Allegory of Absolutism
Chapter 5: "A Subtle System of Feints": Phenomenological Description and Theatricality in Foucault's "Las Meninas"
Chapter 6: The Language Model in William Forsythe's Artifact
Notes
Bibliography:
Index
