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    The Art of Witnessing: Documentary Art, Literature, Film and Theatre in Eastern Europe and the Baltics

    The Art of Witnessing by Tippner, Anja; Lindbladh, Johanna;

    Documentary Art, Literature, Film and Theatre in Eastern Europe and the Baltics

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    Product details:

    • Publisher Central European University Press
    • Date of Publication 31 March 2025

    • ISBN 9789633866733
    • Binding Hardback
    • No. of pages350 pages
    • Size 228x152 mm
    • Weight 666 g
    • Language English
    • Illustrations 34 illus.
    • 700

    Categories

    Long description:

    The volume examines the documentary practices of film, theatre, and literature from the 1960s to the 2020s in Ukraine, Russia, Belarus, and the Baltic states. 


    Methodologically innovative case studies consider contemporary ?witness art? ? for example verbatim theatre based on interviews with people participating in political protest and war. The contributions expand on the political, medial, and aesthetic developments that shaped Soviet attitudes towards the arts and show how these concepts still influence contemporary practices. The essays are written for scholars and students of literature, culture, sociology, film, theatre, and trauma studies, but also for general readers interested in the documentary arts.  


    The Russian invasion of the Ukraine has reinforced a dynamic that had already gained traction due to the political transformations post-1991 and the Euro-Maidan. Ukrainian documentary art has become a tool to witness rapid change and to counteract media warfare. Artists have reacted by creating works that address traumatizing experiences by keeping records and analyzing the ongoing events at the same time. The essays reflect on documentary approaches that are proving to be collaborative artistic tools in violent times.

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    Table of Contents:

    Prologue: Witnessing in Art. Ukrainian Voices from the War

    Olexii Kuchanskyi


    Introduction: Performing the Documentary: The Uses and Abuses of Factuality and Art

    Johanna Lindbladh and Anja Tippner


    PART I. Witnessing in Art. Theoretical Perspectives

    A Crowd in Every Face: The Documentary Image in Concentrationary Art

    Libby Saxton

    The Methods of Second-Hand Testimonies Exemplified by Svetlana Aleksievich?s Artistic and Dialogic Practices

    Johanna Lindbladh

    Documenting as Teamwork: Problems of Collaboration in Documentary Art in Belarus and Russia

    Anja Tippner


    PART II. Documentary Art on Screen and Stage

    Ukrainian Documentary Theatre in the Context of War

    Molly Flynn/ Ielizaveta Oliinyk

    Reading the Soviet Time Speeches: Contemporary Russian Theatre?s Reflexion

    Elena Gordienko

    The Sociology of Contemporary Russian Documentary Film

    Jeremy?Hicks

    Melodrama, Truth Telling and the Memory of War in the Soviet Cinema of the Thaw

    Violeta Davoli?t?

    The Ethnography of Damaged Life: Ukrainian Poetic Cinema between Document and Dream

    Olha Briukhovetska


    PART III. Documentary practices in literature

    Towards a Testimonial Mode: Documentary Literature and the Memory of WWII in Ülo Tuulik?s In the Way of the War (1974)

    Eneken Laanes

    Ludmila Ulitskaya?s ?Novel in Documents?, Daniel Stein, Interpreter

    Fiona Björling

    Cognitive Overload and the Documentary Mode in Maria Stepanova?s In Memory of Memory

    Julie Hansen

    Documentary Poetry and Stigmatized People in Today?s Russia and Belarus: the Birth of a New Visibility

    Il?ia Kukulin

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