• Contact

  • Newsletter

  • About us

  • Delivery options

  • News

  • 0
    The Beatles and Black Music: Post-Colonial Theory, Musicology and Remix Culture

    The Beatles and Black Music by Mills, Richard;

    Post-Colonial Theory, Musicology and Remix Culture

      • GET 10% OFF

      • The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
      • Publisher's listprice GBP 90.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        45 549 Ft (43 380 Ft + 5% VAT)
      • Discount 10% (cc. 4 555 Ft off)
      • Discounted price 40 994 Ft (39 042 Ft + 5% VAT)

    45 549 Ft

    db

    Availability

    Not yet published.

    Why don't you give exact delivery time?

    Delivery time is estimated on our previous experiences. We give estimations only, because we order from outside Hungary, and the delivery time mainly depends on how quickly the publisher supplies the book. Faster or slower deliveries both happen, but we do our best to supply as quickly as possible.

    Product details:

    • Publisher Bloomsbury Academic
    • Date of Publication 12 June 2025
    • Number of Volumes Hardback

    • ISBN 9781501366949
    • Binding Hardback
    • No. of pages256 pages
    • Size 228x152 mm
    • Language English
    • Illustrations 2 bw illus
    • 700

    Categories

    Long description:

    The Beatles and Black Music discusses the influence that Black music and culture has had over the Beatles throughout their collective and solo careers.

    Richard Mills adopts a musicological and historiographic account to demonstrate the extent to which Liverpool's colonial history influenced the Beatles' music. Beginning with the grand narrative of British colonial history pre-Beatles, it covers the influence of Black music and culture on the Beatles' teenage years in the 1950s, their association with Lord Woodbine, their love of American Rhythm and Blues in the mid-1960s, and extends to a discussion of post-colonial British identity and the lasting effect Black music has had on the Beatles' legacy and continues to have on the solo careers of Ringo Starr and Paul McCartney.

    Tracing the history of Black musical and cultural influence on popular music from the Transatlantic Slave Trade in 1795 to the nascent Mersey Beat scene in the early 1960s, this book is the first to explore the Beatles from this important cultural lens.

    More

    Table of Contents:

    Preface
    Introduction: The Beatles and Black Music
    Chapter 1: Colonial History and the Beatles
    Chapter 2: Lord Woodbine, the Liverpool Music Scene and the Gator Bowl
    Chapter 3: Cunard Yanks: The Beatles and 1950s Rhythm and Blues
    Chapter 4: Cover Versions on Please Please Me and With the Beatles
    Chapter 5: The Beatles, Rubber Soul, Revolver, and Atlantic, Stax, Motown and Psychedelic Soul
    Chapter 6: The White Album, Let It Be and Abbey Road
    Chapter 7: The Black Album. The Beatles Mashed, Jay Z and Brian Burton aka Danger Mouse
    Chapter 8: Post-Colonial Solo Beatles: The Beatles and Black Music After Their Breakup In 1970
    Conclusion: The Beatles and Post-colonial Britain
    Bibliography
    Discography
    The Grey Album: Track Listing
    Acknowledgments

    More