ISBN13: | 9781032466668 |
ISBN10: | 1032466669 |
Binding: | Hardback |
No. of pages: | 312 pages |
Size: | 234x156 mm |
Language: | English |
Illustrations: | 25 Illustrations, black & white; 25 Halftones, black & white |
700 |
The Museum Accessibility Spectrum
GBP 145.00
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The Museum Accessibility Spectrum volume engages with discussions around access to museums and argues that what is impairing the progress of museums towards inclusion is the current ableist model of access.
The Museum Accessibility Spectrum engages with discussions around access to museums and argues that what is impairing the progress of museums towards inclusion is the current ableist model of access.
Drawing on contributors from international museum researchers, practitioners, artists, and activists, this volume challenges the notion of the core ?able? museum visitor and instead proposes all individuals are positioned on a multidimensional Accessibility Spectrum, which incorporates intersecting physical, sensory, neurodivergent, and social and cultural dimensions. It explores the ways in which access provisions designed to enhance the experience of a minority can enhance the museum experience for all visitors. A constructively critical approach is taken to practice-based chapters, using case studies and approaches from around the globe, split into three main sections. Within the Disability Gain section, the authors consider the benefits of inclusive design, perspectives, and practice for all visitors to the museum sector. The Social and Cultural Inclusion section examines ways in which museums have broadened representation and participation to better serve audiences who have been excluded, or 'underrepresented' by the museums. Finally, the Agents of Social Change section considers how, with this work, museums are challenging systemic biases and exclusions. The international, cross-disciplinary contributions in this volume are driven by research-informed practice and will transform existing thinking to change future practice within the museum sector by challenging this ableist bias.
This book will be of interest and importance not only to museum practitioners and researchers, but also to readers with an interest in cultural studies, critical disability studies, translation studies, and inclusive and universal design.
'This book calls for a radical re-thinking of access programs at museums and other cultural sites. The editors argue that when access is understood merely as something the institution bestows on marginalized groups, without the active participation and collaboration of those communities, it risks preserving protocols of privilege and power. Here, a diverse collection of international authors, educators, artists, and activists describe specific projects and techniques that could be implemented in different contexts. This paradigm-shifting achievement is essential reading for anyone in the museum sector as well as anyone inspired by the potential for museums to enact meaningful social change'.
~ Georgina Kleege, author of More Than Meets the Eye: What Blindness Brings to Art
'Ensuring inclusion in education, sciences, and culture ? including museums ? is crucial and reaffirms our commitment to upholding human rights for everyone, as emphasized in the Universal Declaration of Human Rights. While progress has been made in many museums in terms of "Inclusion," "Accessibility," and "Diversity," many others around the world are still in the process of fully embracing their social responsibilities and expanding their role beyond basic accessibility. This book offers valuable insights for practitioners, scholars, and policymakers on transforming museum practices to enhance accessibility and foster inclusion. Its release is particularly timely, coming after the World Conference on Cultural Policies and Sustainable Development (MONDIACULT 2022), which highlighted culture?s vital role in sustainable development and social cohesion, and as we approach the decade anniversary of UNESCO?s 2015 Recommendation concerning the Protection and Promotion of Museums and Collections, their Diversity and their Role in Society'.
~ Dr Khaled El-Enany, Professor of Egyptology and Former Minister of Tourism and Antiquities, Egypt
List of figures; List of contributors; Section 1 ? Introduction: Chapter 1: The Museum Accessibility Spectrum: recognising the multidimensional access needs of all museum audiences; Chapter 2: Unpicking ableism and disablism in museums: Why access should be for all; Section 2 ? Disability Gain: Chapter 3: Feeling Our Way: Anti-Ableist Provocations for the Future of Inclusive Design in Museums; Chapter 4: Developing the Calm Room: A Journey of Creating an Accessible Space for Inclusion and Well-being; Chapter 5: French Nineteenth-Century Art Writing as Audio Description: the case of Edouard Manet; Chapter 6: Seeing the Deaf Visitor: Improving Accessibility Through a Critical Studies Lens; Chapter 7: Blundering into Sensorial Conversation; Section 3: Social and Cultural Inclusion: Chapter 8: Social and cultural barriers to inclusion: class and race at the Bethnal Green Museum of Childhood; Chapter 9: Going Through the Portal: Permeable Walls and Immersive Community Engagements rooted in Disability Justice; Chapter 10: What is a museum? Reframing the power dynamic between museums and audiences ; Chapter 11: Stepping Aside: A reflection on how Museums can transfer power to communities, open up collections, and increase access through the creation of memory boxes; Chapter 12: The Sacred Cave of Kamukuwaká: Enabling Digital Futures for Indigenous Cultural Heritage in the Amazonian Xingu; Section 4: Agents of Social Change: Chapter 13: No laughing matter? Reimagining the statuette of a ?comic? actor with dwarfism at the British Museum; Chapter 14: Curating for Change: How can D/deaf, disabled and neurodivergent curators drive change in museums in terms of cultural representation and inclusive interpretation?; Chapter 15: Inclusive Design and Accessibility: A Methodology of Perpetual Evolution and Innovation; Chapter 16: Cultural Inclusion in Times of Crisis: Old and New Traumas; Chapter 17: Museums for Equality: Combating Prejudice, Promoting Human Rights and Practices of Social Inclusion in Egypt?s Museums; Chapter 18: Social inclusion, cultural participation and public ruptures at Iziko South African National Gallery: A look at Our Lady and Art of Disruption exhibitions. Section 5: Museum Futures: Instigators of change: Museums as inclusive, accessible, equitable, participatory hubs; Acknowledgements; Index.