ISBN13: | 9781350132290 |
ISBN10: | 1350132292 |
Binding: | Paperback |
No. of pages: | 336 pages |
Size: | 234x156 mm |
Weight: | 580 g |
Language: | English |
Illustrations: | 102 bw integrated |
125 |
Arts and crafts, folk art, decorative art
Patchwork
Art history in general
19th century and first half of 20th century
Arts and crafts, folk art, decorative art (charity campaign)
Patchwork (charity campaign)
Art history in general (charity campaign)
19th century and first half of 20th century (charity campaign)
The Subversive Stitch
GBP 18.99
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Rozsika Parker's re-evaluation of the reciprocal relationship between women and embroidery has brought stitchery out from the private world of female domesticity into the fine arts, created a major breakthrough in art history and criticism, and fostered the emergence of today's dynamic and expanding crafts movements.
The Subversive Stitch is now available again with a new Introduction that brings the book up to date with exploration of the stitched art of Louise Bourgeois and Tracey Emin, as well as the work of new young female and male embroiderers. Rozsika Parker uses household accounts, women's magazines, letters, novels and the works of art themselves to trace through history how the separation of the craft of embroidery from the fine arts came to be a major force in the marginalisation of women's work. Beautifully illustrated, her book also discusses the contradictory nature of women's experience of embroidery: how it has inculcated female subservience while providing an immensely pleasurable source of creativity, forging links between women.
Acknowledgments
Introduction 2009
1 The Creation of Femininity
2 Eternalising the Feminine
3 Fertility, Chastity and Power
4 The Domestication of Embroidery
5 The Inculcation of Femininity
6 From Milkmaids to Mothers
7 Femininity as Feeling
8 A Naturally Revolutionary Art?
Notes to chapters
Bibliography
Glossary
Index