
Product details:
ISBN13: | 9789048558827 |
ISBN10: | 9048558824 |
Binding: | Hardback |
No. of pages: | 414 pages |
Size: | 248x181x24 mm |
Weight: | 1126 g |
Language: | English |
Illustrations: | 93 Illustrations, black & white; 23 Illustrations, color |
697 |
Category:
Thinking Women and Art in the Long Eighteenth Century ? Strategic Reinterpretations
Strategic Reinterpretations
Series:
Visual and Material Culture, 1300-1700;
61;
Publisher: Amsterdam University Press
Date of Publication: 18 February 2025
Normal price:
Publisher's listprice:
GBP 137.00
GBP 137.00
Your price:
64 733 (61 650 HUF + 5% VAT )
discount is: 10% (approx 7 193 HUF off)
The discount is only available for 'Alert of Favourite Topics' newsletter recipients.
Click here to subscribe.
Click here to subscribe.
Availability:
Estimated delivery time: In stock at the publisher, but not at Prospero's office. Delivery time approx. 3-5 weeks.
Not in stock at Prospero.
Can't you provide more accurate information?
Not in stock at Prospero.
Long description:
represents state-of-the-art feminist scholarship in the field of eighteenth-century French and British art and visual culture. Topics range from women and their activities in art and science, to gendered representations of childhood and animals to fashion, femininity and temporality. Some chapters center on individual genres like hunting portraits, or on specific paintings, such as David Martin's Portrait of Dido Elizabeth Belle and Lady Elizabeth Murray (ca. 1780) or Marie Guillemine Benoist's Portrait of a Young Black Woman (Madeleine) (1800). Others make contributions on the work of familiar actors like Jean-Siméon Chardin or Élisabeth Louise Vigée Le Brun. The volume also brings to the fore lesser-known figures including Marie-Thér?se Reboul, Madeleine Basseporte, Marguerite Le Comte, and Gabrielle Capet. Written by eleven distinguished (art) historians, the assembled essays engage with and honor the work of the late Mary D. Sheriff, whose unpublished chapter on women artists? self-portraiture opens the book.