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    Transnational Perspectives on the Art of Piero Manzoni and Hélio Oiticica: From Abstraction to Participation

    Transnational Perspectives on the Art of Piero Manzoni and Hélio Oiticica by Demori, Lara;

    From Abstraction to Participation

    Series: Routledge Research in Art History;

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      • Publisher's listprice GBP 145.00
      • The price is estimated because at the time of ordering we do not know what conversion rates will apply to HUF / product currency when the book arrives. In case HUF is weaker, the price increases slightly, in case HUF is stronger, the price goes lower slightly.

        73 384 Ft (69 890 Ft + 5% VAT)
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    73 384 Ft

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 30 May 2025

    • ISBN 9781032165004
    • Binding Hardback
    • No. of pages224 pages
    • Size 246x174 mm
    • Language English
    • Illustrations 25 Illustrations, black & white; 19 Illustrations, color; 25 Halftones, black & white; 19 Halftones, color
    • 700

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    Short description:

    Establishing a ?missed link? between the work of Piero Manzoni and Hélio Oiticica and their respective cultural contexts, this book sheds new light on overlooked aspects of these two artists? practices, particularly focusing on the shift from painting to performance in the long Sixties.

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    Long description:

    Establishing a ?missed link? between the work of Piero Manzoni and Hélio Oiticica and their respective cultural contexts, this book sheds new light on overlooked aspects of these two artists? practices, particularly focusing on the shift from painting to performance in the long Sixties.


    Lara Demori envisions a transnational juxtaposition, a conceptual dialogue that discloses overlooked resonances between the work and the modus operandi of both artists, repositioning claims of national exceptionalism within a web of constellated practices. The book proposes their oeuvre as heterogeneous critical models to unpack categories of thought used to analyse the post-war decades: Tabula Rasa, Anti-Art, Open Work, and (self)Marginalisation and Freedom. These, in turn, are charged with specific histories and offer new paradigms for the formal and social inventions perpetuated by the art of both in the context of the déturnements that crossed the Sixties on a global scale


    The book will be of interest to scholars working in art history, modernism and post-modernism, Italian studies and Brazilian studies.

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    Table of Contents:

    Introduction  1. Tabula Rasa  2. Anti-Art  3. Open Work  4.The Freedom of (self)Marginalisation  Epilogue

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