Vision and Meaning in Ninth-Century Byzantium
Image as Exegesis in the Homilies of Gregory of Nazianzus
Series: Cambridge Studies in Palaeography and Codicology; 6;
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Product details:
- Publisher Cambridge University Press
- Date of Publication 11 December 2008
- ISBN 9780521101813
- Binding Paperback
- No. of pages572 pages
- Size 244x170x30 mm
- Weight 900 g
- Language English
- Illustrations 177 b/w illus. 0
Categories
Short description:
Vision and Meaning in Ninth-Century Byzantium deals with how such visual communication worked and examines the types of messages that pictures could convey in the aftermath of Iconoclasm.
MoreLong description:
The Byzantines used imagery to communicate a wide range of issues. In the context of Iconoclasm - the debate about the legitimacy of religious art conducted between c. AD 730 and 843 - Byzantine authors themselves claimed that visual images could express certain ideas better than words. Vision and Meaning in Ninth-Century Byzantium deals with how such visual communication worked and examines the types of messages that pictures could convey in the aftermath of Iconoclasm. Its focus is on a deluxe manuscript commissioned around 880, a copy of the fourth-century sermons of the Cappadocian church father Gregory of Nazianzus which presented to the Emperor Basil I, founder of the Macedonian dynasty, by one of the greatest scholars Byzantium ever produced, the patriarch Photios. The manuscript was lavishly decorated with gilded initials, elaborate headpieces and a full-page miniature before each of Gregory's sermons. Forty-six of these, including over 200 distinct scenes, survive. Fewer than half however were directly inspired by the homily that they accompany. Instead most function as commentaries on the ninth-century court and carefully deconstructed both provide us with information not available from preserved written sources and perhaps more important show us how visual images communicate differently from words.
"...this first-rate study has far-reaching implications for anyone interested in religious language of images." Georgia Frank, Religious Studies Review
Table of Contents:
List of illustrations; Preface; Acknowledgements; Abbreviations; Introduction; 1. Sitting the miniatures: imagery in the ninth century; 2. The miniatures: internal evidence; 3. The biographical miniatures: toward image as exegesis; 4. Basil I and visual panegyric; 5. The patriarch Photios and visual exegesis; 6. Mission, martyrdom and visual polemic; 7. Perceptions of divinity; 8. Iconography; 9. Conclusions; Appendices; Bibliography; Index.
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