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    Vladimir Nemirovich-Danchenko and the Moscow Art Theatre

    Vladimir Nemirovich-Danchenko and the Moscow Art Theatre by Solovyova, Inna;

    Series: Routledge Advances in Theatre & Performance Studies;

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    73 384 Ft

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    Product details:

    • Edition number 1
    • Publisher Routledge
    • Date of Publication 11 March 2025

    • ISBN 9781032781136
    • Binding Hardback
    • No. of pages268 pages
    • Size 234x156 mm
    • Weight 660 g
    • Language English
    • Illustrations 10 Illustrations, black & white; 10 Halftones, black & white
    • 694

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    Short description:

    This is an authorized translation of Nemirovich-Danchenko (Moscow, 1979) by Inna Solovyova, historian, author, and Senior Researcher of the Moscow Art Theatre Archives. It is the only comprehensive account of the life and work of Vladimir Nemirovich-Danchenko (1858-1943), co-founder with Konstantin Stanislavsky of the Moscow Art Theatre.

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    Long description:

    This is an authorized translation of Nemirovich-Danchenko (Moscow, 1979) by Inna Solovyova, historian, author, and senior researcher of the Moscow Art Theatre Archives.


    Untranslated before now, it is the only comprehensive account of the life and work of Vladimir Nemirovich-Danchenko (1858?1943), co-founder with Konstantin Stanislavsky of the Moscow Art Theatre and one of the pioneers of the art of directing. Nemirovich-Danchenko was one of the few prominent theatre practitioners who lived and worked from Russia?s Tsarist period through the inception and consolidation of its Soviet period. Thus, it is also a story about the development of Russian society and culture during the last half of the nineteenth century and the Soviet half of the twentieth century. Additionally, it explores the Moscow Art Theatre?s interpretive and production work on the plays of Chekhov, Shakespeare, Ibsen, Dostoevsky, Leo Tolstoy, Maxim Gorky, and many others. The central theme of the book focuses on the contingent dialectical relationship between artists and their changing socio-political realities.


    The author?s narrative is stylistically informal and based on archival documents, most of which are referenced here for the first time in English and will be of great interest to students and scholars in theatre and performance studies.

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    Table of Contents:

    Translator?s Preface


    Chapter 1: The Long Beginning 1858?1886


    Chapter 2: Everything is Nearby 1886?1896


    Chapter 3: Opening 1896?1899


    Chapter 4: In the Theatre from Ten to Seven 1899?1904


    Chapter 5: First Farewells 1904?1905


    Chapter 6: Returning to a New Place 1905?1906


    Chapter 7: At Home 1906?1909


    Chapter 8: Russian Tragedy 1908?1910


    Chapter 9: Options for an Ending 1910?1914


    Chapter 10: Fifth and Sixth Life 1914?1919


    Chapter 11: Chapter from Another Book 1919?1943 (The Soviet Years)

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