| ISBN13: | 9781350415188 |
| ISBN10: | 1350415189 |
| Kötéstípus: | Keménykötés |
| Terjedelem: | oldal |
| Méret: | 234x156 mm |
| Nyelv: | angol |
| Illusztrációk: | 10 bw illus |
| 700 |
Archives and Emotions
GBP 85.00
Kattintson ide a feliratkozáshoz
Archives and Emotions argues, at its most fundamental level, that emotions matter and have always mattered to both the people whose histories are documented by archives and to those working with the documents these contain. This is the first study to put archivists and historians-scholars and practitioners from different settings, geographical provenance, and stages of career-in conversation with one another to examine the interplay of a broad range of emotions and archives, traditional and digital, from the eighteenth to the twenty-first centuries across national and disciplinary borders.
Drawing on methodologies from the history of emotions and critical archival studies, this book provides an original analysis of two interconnected themes through a selected number of case studies: the emotional dynamics affecting the construction and management of archives; and the emotions and their effects on the people engaging with them, such as archivists, researchers, and a broad range of communities.
Its main message is that critically investigating the history and mechanics of emotions-including their suppression and exclusion-also being conscious of their effects on people and societies is essential to understanding how archives came to hold deep civic and ethical implications for both present and future. This study thus establishes a solid base for future scholarship and interdisciplinary collaborations and challenges academic and non-academic readers to think, work, and train new generations differently, fully aware that past and present choices have-and might again-hurt, inspire, empower, or silence.
List of figures
List of tables
Preface
Foreword
Acknowledgements
Note on text/translation
1.. Introduction: Why archives and emotions?, Ilaria Scaglia and Valeria Vanesio (Aston University, UK, and University of Malta, Malta)
2.. Across the national and the international: Exchanges on archives and emotions at the League of Nations and beyond, Ilaria Scaglia and Valeria Vanesio (Aston University, UK, and University of Malta, Malta)
Part I: Emotions and the Shaping of the Archives
3.. True crime in the archives: The eighteenth-century Old Bailey and the emotions of sensationalism, Anna Pravdica (University of Warwick, UK)
4.. Moral exculpation along the archival grain: Self-censoring, war trauma, and the reporting of German soldiers' suicides, 1914-1918, Matthew Hershey (University of Michigan, USA)
5. 'The last letter I ever received:' Managing epistles & emotions in eighteenth-century family archives, Imogen Peck (University of Birmingham, UK)
6. The emotions of expertise: Whiteness and dismissal in the US archaeological archive of 1960s Peru, Rachel Sarah O'Toole (University of California, USA)
7. A conscious ripping: Emotions in the construction and destruction of Anna Banti's archive, Annantonia Martorano (University of Florence, Italy)
8. Looking for an objective emotionality: The "rationalized archives" of an Italian twentieth-century artist, Lorenzo Sergi (University of Florence, Italy)
Part II: Emotions, Archives, and Their People
9. Archivists and emotional labor: Preserving personas and personal identities in archives, Kristen J. Nyitray and Dana Reijerkerk (Stony Brook University, USA and Independent Scholar, USA)
10. Memory keepers unveiled: The emotional styles behind the archives, Tijana Rupcic (Central European University, Austria)
11. Unveiling the untold story: Emotions in National Archives, Charles J. Farrugia (University of Malta, Malta)
12. Bearing witness to the historical record: A psychosocial/psychodynamic method for working with archival materials, Iqbal Singh and Kevin Lu (National Archives, UK and University of London, UK)
13. Real and imagined archives: The emotional impact of Zimbabwe's displaced Rhodesian Army Archives, Forget Chaterera-Zambuko (Sorbonne University, Abu Dhabi, UAE)
14. Future perfect? Affect-aware, history-informed, future-oriented archive-making, Anne J. Gilliland (University of California, USA)
Afterword
Bibliography
Index
