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    Art, Media Design, and Postproduction: Open Guidelines on Appropriation and Remix

    Art, Media Design, and Postproduction by Navas, Eduardo;

    Open Guidelines on Appropriation and Remix

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    Rövid leírás:

    A concise guide to the creative application of appropriation and remix that offers a set of open-ended guidelines for art and design studio-based projects, this book explores creativity with emerging technology, including artificial intelligence.

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    Hosszú leírás:

    A concise guide to the creative application of appropriation and remix that offers a set of open-ended guidelines for art and design studio-based projects, this book explores creativity with emerging technology, including artificial intelligence.


    This fully revised and expanded second edition engages with the ongoing recycling and repurposing of content and form, and the new directions the emerging form of metacreativity is taking art and design as artists continue to expand their creative methodologies. Exploration of metacreativity is new to this edition, with a focus on remix principles, the implementation of data analysis, and the delegation of parts of the creative process to automated algorithms and artificial intelligence. Each chapter includes an introduction, goals for guidelines of a studio-based project, with an explanation of relevant history, as well as examples and case studies. Each set of guidelines is open-ended, enabling the reader to repurpose the instructional material according to their own methodologies and choice of medium. Navas also provides historical and theoretical context to encourage critical reflection.


    The second edition remains the first book of guidelines to take into account the historical, theoretical, and practical context of remix as an interdisciplinary act. This is an essential read for those interested in remix studies and appropriation in art, design, and media.



    Praise for the First Edition



    Art, Media Design, and Postproduction is the perfect synthesis of practice and theory. It provides sensible guidelines and engaging exercises in the aesthetics of remix and appropriation. It also offers a sophisticated framework for appreciating the history and theory of remix. An indispensable text for every theorist, artist, or designer interested in this key aspect of contemporary media culture.


    Jay David Bolter, Georgia Institute of Technology, USA.



    This collection of writings on the immensity of remixing, sampling, collage and the other recombinant arts is sly, fresh, and relentlessly engaging. It reaffirms the resiliency of the artistic imagination in an era of digital overload. Read it as a guide for the perennially optimistic in a very cynical and dark time.


    Paul D. Miller aka DJ Spooky



    In this ground-breaking book, Eduardo Navas puts Remix Theory to work, providing readers with a practical guide to thinking remix by doing remix. He expertly stages innovative engagements with content creation practices that are designed not just to be read but to be used and reused in new and revealing ways.


    David J. Gunkel, Northern Illinois University, USA.


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    Tartalomjegyzék:

    Acknowledgments


    List of Figures


    Introduction
    General Remix Principles and Key Terms


     


    Part 1: Media Production


    Chapter 1: Randomized Signification ? Elements for Exchange


    Chapter 2: Analogized Codification ? Mashups of Image and Text


    Chapter 3: Sampling Creativity ? Material Sampling and Cultural Citation


    Chapter 4: Vectorial Pixels ? Visual Aesthetics of Binary Code


    Chapter 5:  Bifurcated Meaning ? Infliction of Statements


    Essay: Modernism and Media Production


     


    Part 2: Metaproduction


    Chapter 6: Domesticated Noise ? Manipulation of Sound        


    Chapter 7: Visual Aurality ? Image and Sound as Data


    Chapter 8: Versioning Time-Based Media ? Reedits of Video and Sound


    Chapter 9: Time-Based Media in Physical Space ? Loops in Video and Sound Installations


    Chapter 10: The Assemblage Gaze ? Of Media and Humans


    Essay: Postmodernism and Metaproduction


     


    Part 3: Postproduction


    Chapter 11: Media Mashups ? Appropriation and Remix of Image, Sound, and Text


    Chapter 12: Regenerative Motion ? Correlated Time Based Media


    Chapter 13: Reflexive Mashups ? Aesthetics of Data Driven Objects


    Chapter 14: Distributed Collaboration ? Collective Work Across Networks


    Chapter 15: Aesthetics of Negation ? The Negative Selective Process


    Essay: The Prefix and Post Production


     


    Part 4: Metacreativity


    Chapter 16: Visual Analytics: Image Mining and Artificial Intelligence


    Chapter 17: Textual Analytics: Text-Mining and Artificial Intelligence


    Chapter 18: Sound Analytics: Sound-Mining and Automation


    Chapter 19: Creative Prompts: Artificial Intelligence for Image and Text Production


    Chapter 20: Automated Bifurcations: Artificial Intelligence and Media Production


    Essay: Metacreativity and AI Aesthetics


     


    Index

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