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    Berlioz the Critic: Selected Writings from 1837 to 1850

    Berlioz the Critic by Nichols, Roger; Rushton, Julian;

    Selected Writings from 1837 to 1850

    Sorozatcím: Eastman Studies in Music;

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    A termék adatai:

    • Kiadó University of Rochester Press
    • Megjelenés dátuma 2025. június 10.
    • Kötetek száma Print PDF

    • ISBN 9781648250736
    • Kötéstípus Keménykötés
    • Terjedelem314 oldal
    • Méret 228x152 mm
    • Súly 666 g
    • Nyelv angol
    • 700

    Kategóriák

    Rövid leírás:

    Hector Berlioz combined writing music with lively and informed music criticism. This collection of articles, engagingly translated by Roger Nichols, covers the middle years of his critical career.

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    Hosszú leírás:

    Hector Berlioz combined writing music with lively and informed music criticism. This collection of articles, engagingly translated by Roger Nichols, covers the middle years of his critical career.


    Berlioz's music criticism from 1837 to 1850 covers a period druing which he composed some of his finest works, and travelled abroad to perform them before appreciative audiences in Germany, Russia, and England. Roger Nichols has chosen and translated extracts from fifty-eight articles of particular interest, with commentary and notes identifying people mentioned. Berlioz scholars Peter Bloom and Julian Rushton provide an informative introduction and a comprehensive editorial apparatus.

    In the selected articles Berlioz discusses Paris performances of early and modern music, including new operas and revivals, and concerts at the Paris Conservatoire. He comments freely but with understanding on conductors, singers and instrumentalists. The essays demonstrate the composer's concern with innovation in the design of musical instruments and assess the quality of performing venues. Berlioz writes on the musical life of London, France, and Germany, most entertainingly about the inauguration of statues of Beethoven and Rossini. The selection is framed by major articles on "Imitation in Music" and on Gluck's opera Alceste.

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    Tartalomjegyzék:

    Translator's Preface and Acknowledgments
    Sources and Abbreviations Used in the Text and Notes
    Editor's Note

    Introduction by Peter Bloom
    The Articles:
    1. On Imitation in Music (I)
    2. On Imitation in Music (II)
    3. Ninth Conservatoire Concert. Beethoven's Eroica and Taste in General
    4. Esmeralda: on Fair Artistic Judgement
    5. Paris Opéra: Revival of Le Si?ge de Corinthe
    6. Third Conservatoire Concert; the Critic's Life
    7. Le nozze de Figaro; Benefit Performance for Lablache
    8. Second Concert of the Gazette musicale. Pauline Garcia; Gluck's Orphée
    9. Adolphe Nourrit
    10. Musical Instruments; Exhibition of Industrial Products
    11. Premiere of Lucie de Lammermoor
    12. Letter to Liszt: Music in Paris and London
    13. Kastner's Treatise on Instrumentation
    14. Miscellanea; Pauline Viardot at the Théâtre-Italien
    15. First Conservatoire Concert; Gluck, his Critics, and Early Music (I)
    16. First Conservatoire Concert; Early Music (II)
    17. Paris Opéra: Revival of Fernand Cortez; Liszt and Batta in London
    18. Third Conservatoire Concert; Haydn, Rossini, Viardot
    19. Paris Opéra: Revival of Don Giovanni I
    20. Liszt's Concerts
    21. Paris Opéra: Revival of Don Giovanni II
    22. Liszt's Concert at the Conservatoire
    23. Poultier's Debut in Guillaume Tell
    24. The Saint-Denis Organ
    25. Fourth Conservatoire Concert
    26. Cherubini
    27. Sixth Conservatoire Concert
    28. Thalberg's Concerts
    29. German Theatre; First Performance of Jessonda
    30. Castor et Pollux; the Score
    31. Théâtre de l'Opéra-Comique: Revival of Le Déserteur
    32. M. Berlioz's Concert at the Théâtre-Italien
    33. Théâtre de l'Odéon. Premiere of Mendelssohn's Antigone
    34. Large-scale Concert at the Opéra: the 'Droit des pauvres'
    35. Michel de Glinka
    36. Conservatoire Concert. Spontini: La Vestale
    37. Cherubini's Messe du Sacre
    38. Music Festival in Bonn; the Beethoven Statue
    39. New Method of Instrumental Practice
    40. Inauguration of Rossini's Statue
    41. Théâtre de l'Opéra-Comique: Revival of Zémire et Azor
    42. On the Harmonium
    43. Paris Opéra. Premiere of Rossini: Robert the Bruce
    44. Adolphe Sax's New Concert Hall
    45. To M. Friedland; Musical Life in London
    46. Opening of the Théâtre de la Nation
    47. The Opéra; Mme de Lagrange's Debut; Otello
    48. Distribution of Prizes at the Conservatoire (the Current State of French Music)
    49. Théâtre de l'Opéra-Comique; Premiere of Ambroise Thomas: Le Ca?d
    50. Second Séance of the Société des Concerts; Beethoven, Haydn, and others
    51. Third Séance of the Société des Concerts; Scene in the rue Berg?re
    52. Sixth Séance of the Société des Concerts; a Composer's Rights
    53. Musical Instruments and the 'Droit des pauvres'
    54. The Death of Johann Strauss
    55. The Death of Chopin
    56. A Method of Telephony by M. Sudre
    57. Niedermeyer's Messe solennelle
    58. Gluck's Alceste

    Index of Names

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