Beuckelaer and the Art of Dining ? Northern Painting, Food, and Social Class in Early Modern Italy - Goldstein, Claudia; - Prospero Internetes Könyváruház

Beuckelaer and the Art of Dining ? Northern Painting, Food, and Social Class in Early Modern Italy: Northern Painting, Food, and Social Class in Early Modern Italy
 
A termék adatai:

ISBN13:9789463727822
ISBN10:9463727825
Kötéstípus:Keménykötés
Terjedelem:188 oldal
Méret:96x318x15 mm
Súly:666 g
Nyelv:angol
Illusztrációk: 41 Illustrations, black & white; 16 Illustrations, color
700
Témakör:

Beuckelaer and the Art of Dining ? Northern Painting, Food, and Social Class in Early Modern Italy

Northern Painting, Food, and Social Class in Early Modern Italy
 
Kiadó: Amsterdam University Press
Megjelenés dátuma:
 
Normál ár:

Kiadói listaár:
GBP 107.00
Becsült forint ár:
56 175 Ft (53 500 Ft + 5% áfa)
Miért becsült?
 
Az Ön ára:

50 558 (48 150 Ft + 5% áfa )
Kedvezmény(ek): 10% (kb. 5 618 Ft)
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
 
Beszerezhetőség:

Még nem jelent meg, de rendelhető. A megjelenéstől számított néhány héten belül megérkezik.
 
  példányt

 
Hosszú leírás:
Sixteenth-century Flemish painter Joachim Beuckelaer produced dozens of large-scale paintings of contemporary working women and men selling, presenting, and preparing a visually stunning array of foodstuffs for the viewer. These were new subjects in Antwerp and even newer in Italy, where elite merchants and nobles like Margaret of Parma displayed them as they were meant to be displayed: in dining rooms and spaces used for entertaining. This study explores the cross-cultural meanings of Beuckelaer?s distinctly Northern European kitchen and market scenes in the context of North Italian dining and food culture.
Examining the functions of Beuckelaer?s strange and new subject matter, Goldstein situates his paintings and those of his closest Italian follower, Vincenzo Campi, in the physical space of the dining room, addressing dining practice and the class and gender tensions inherent in a setting that placed both elite and non-elite viewers before life-sized renderings of their employees, and themselves.