Curating Human Rights

Curating Human Rights conceptualizes the human rights museum as a dynamic cultural-political genre that interacts with multiple social activist, state and corporate stakeholders.

Drawing upon ethnographic and archival research on seven human rights museums in six countries, Ostow examines specifically what these museums do when they set out, or purport, to promote human rights. This includes the stories they visualize, display strategies, educational and other activities, internal structures, the way they position their visitors, the parameters of the human rights they address and the politics of pleasing their multiple stakeholders. The book also explores the contradictions and political and corporate pressure that contributes to foregrounding some human rights violations and ignoring or obscuring others. Ostow also examines the reactions to each museum in the local and national press, and by local visitors, politicians, donors and other stakeholders. The book ends with a discussion of the success and limitations of museums for promoting human rights, and policy recommendations to enhance their effectiveness. Curating Human Rights considers whether these museums are appropriate for, and effective at, promoting human rights - and if they address the pitfalls that have been identified.

Curating Human Rights provides new perspectives on the field of human rights education and activism and will be of interest to academics and students engaged in the study of museums, human rights, culture and communication.

"The literature on genocide and human rights museums is in its infancy. In its historical reconstruction of six museums located in all corners of the globe, Curating Human Rights lays a massive foundation for anyone interested in the display of atrocity and trauma in the service of universal values.They will not be able to go past Robin Ostow's argument that the path from the former to the latter is crooked and uneven. A major accomplishment."

A. Dirk Moses, Anne and Bernard Spitzer Professor of International Relations, City College of New York, USA

"Robin Ostow?s enterprising and original survey of human rights museums registers the emergence of a worldwide trend and opens it to critical and sophisticated analysis. Why is the wave happening? What political work is being done through it? The book engages these questions and more and is an indispensable success in doing so."

Samuel Moyn, Chancellor Kent Professor of Law and History, Yale University, USA