A termék adatai:
ISBN13: | 9781350436930 |
ISBN10: | 1350436933 |
Kötéstípus: | Puhakötés |
Terjedelem: | oldal |
Méret: | 234x156 mm |
Súly: | 404 g |
Nyelv: | angol |
Illusztrációk: | 21 bw illus |
646 |
Témakör:
Deleuze and the Map-Image
Aesthetics, Information, Code, and Digital Art
Kiadó: Bloomsbury Visual Arts
Megjelenés dátuma: 2024. április 18.
Kötetek száma: Paperback
Normál ár:
Kiadói listaár:
GBP 28.99
GBP 28.99
Az Ön ára:
11 859 (11 294 Ft + 5% áfa )
Kedvezmény(ek): 20% (kb. 2 965 Ft)
A kedvezmény érvényes eddig: 2024. december 31.
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Nem tudnak pontosabbat?
Hosszú leírás:
The map, as it appears in Gilles Deleuze's writings, is a concept guiding the exploration of new territories, no matter how abstract. With the advent of new media and digital technologies, contemporary artists have imagined a panoply of new spaces that put Deleuze's concept to the test. Deleuze's concept of the map bridges the gap between the analog and the digital, information and representation, virtual and actual, canvas and screen and is therefore best suited for the contemporary artistic landscape.
Deleuze and the Map-Image explores cartography from philosophical and aesthetic perspectives and argues that the concept of the map is a critical touchstone for contemporary multidisciplinary art. This book is an overview of Deleuze's cartographic thought read through the theories of Sloterdijk, Heidegger, and Virilio and the art criticism of Laura U. Marks, Carolyn L. Kane, and Alexander Galloway, shaping it into a critical tool through which to view the works of cutting edge artists such as Janice Kerbel and Hajra Waheed, who work with digital and analog art. After all, Deleuze did write that a map can be conceived as a work of art, and so herein art is critiqued through cartographic strategies.
Deleuze and the Map-Image explores cartography from philosophical and aesthetic perspectives and argues that the concept of the map is a critical touchstone for contemporary multidisciplinary art. This book is an overview of Deleuze's cartographic thought read through the theories of Sloterdijk, Heidegger, and Virilio and the art criticism of Laura U. Marks, Carolyn L. Kane, and Alexander Galloway, shaping it into a critical tool through which to view the works of cutting edge artists such as Janice Kerbel and Hajra Waheed, who work with digital and analog art. After all, Deleuze did write that a map can be conceived as a work of art, and so herein art is critiqued through cartographic strategies.
Tartalomjegyzék:
Acknowledgements
List of Illustrations
Introduction: Map as Fluctuating Image
1. Deleuze's Vermeer-Maps, Art, and Information
2. Map and Code in A Thousand Plateaus: Savard, Lagrange Paquet, and Data Art
3. Celluloid Film as Digital Art: Translation, Information, and Intermediality in Cory Arcangel
4. Virtual Images of Swarms and Grids: John F. Simon Jr.'s Posthuman Aesthetics
5. The Island/Image Apparatus: Virtual Networks in Kerbel, Bartholl, and Scott
6. Surveilling Aesthetics: Waheed's Overhead Images and Farocki's Operative Image
Conclusion: Tracing on the Map
Notes
Index
List of Illustrations
Introduction: Map as Fluctuating Image
1. Deleuze's Vermeer-Maps, Art, and Information
2. Map and Code in A Thousand Plateaus: Savard, Lagrange Paquet, and Data Art
3. Celluloid Film as Digital Art: Translation, Information, and Intermediality in Cory Arcangel
4. Virtual Images of Swarms and Grids: John F. Simon Jr.'s Posthuman Aesthetics
5. The Island/Image Apparatus: Virtual Networks in Kerbel, Bartholl, and Scott
6. Surveilling Aesthetics: Waheed's Overhead Images and Farocki's Operative Image
Conclusion: Tracing on the Map
Notes
Index