A termék adatai:
| ISBN13: | 9780822318132 |
| ISBN10: | 082231813X |
| Kötéstípus: | Puhakötés |
| Terjedelem: | 264 oldal |
| Méret: | 250x150x15 mm |
| Súly: | 208 g |
| Nyelv: | angol |
| Illusztrációk: | 9 b&w photographs, 4 figures |
| 0 |
Témakör:
Gaze and Voice as Love Objects ? SIC 1
SIC 1
Sorozatcím:
[sic] Series;
Kiadó: MD ? Duke University Press
Megjelenés dátuma: 1996. szeptember 19.
Kötetek száma: Trade Paperback
Normál ár:
Kiadói listaár:
GBP 23.99
GBP 23.99
Az Ön ára:
10 428 (9 932 Ft + 5% áfa )
Kedvezmény(ek): 10% (kb. 1 159 Ft)
A kedvezmény csak az 'Értesítés a kedvenc témákról' hírlevelünk címzettjeinek rendeléseire érvényes.
Kattintson ide a feliratkozáshoz
Kattintson ide a feliratkozáshoz
Beszerezhetőség:
A kiadónál átmenetileg nincs raktáron, ezért a szokásosnál (2-4 hét) többet kell várni a beszerzésre. Ez általában néhány hét plusz időt jelent.
Nem tudnak pontosabbat?
Hosszú leírás:
The gaze entices, inspects, fascinates. The voice hypnotizes, seduces, disarms. Are gaze and voice part of the relationship we call love . . . or hate? If so, what part? How do they function? This provocative book examines love as the mediating entity in the essential antagonism between the sexes, and gaze and voice as love's medium. The contributors proceed from the Lacanian premise that "there is no sexual relationship," that the sexes are in no way complementary and that love—figured in the gaze and the voice —embodies the promise and impossibility of any relation between them.
The first detailed Lacanian elaboration of this topic, Gaze and Voice as Love Objects examines the status of gaze, voice, and love in philosophy from Plato to Kant, in ideology from early Christianity to contemporary cynicism, in music from Hildegard of Bingen to Richard Wagner, in literature from Edith Wharton's Age of Innocence to Kazuo Ishiguro's The Remains of the Day, and in cinema from Michael Powell's Peeping Tom to Kieslowski's A Short Film on Love. Throughout, the contributors seek to show that the conflict between the sexes is the site of a larger battle over the destiny of modernity. With insights into the underlying target of racist and sexist violence, this book offers surprising revelations into the nature of an ancient enigma—love.
The first detailed Lacanian elaboration of this topic, Gaze and Voice as Love Objects examines the status of gaze, voice, and love in philosophy from Plato to Kant, in ideology from early Christianity to contemporary cynicism, in music from Hildegard of Bingen to Richard Wagner, in literature from Edith Wharton's Age of Innocence to Kazuo Ishiguro's The Remains of the Day, and in cinema from Michael Powell's Peeping Tom to Kieslowski's A Short Film on Love. Throughout, the contributors seek to show that the conflict between the sexes is the site of a larger battle over the destiny of modernity. With insights into the underlying target of racist and sexist violence, this book offers surprising revelations into the nature of an ancient enigma—love.
Contributors. Elisabeth Bronfen, Mladen Dolar, Fredric Jameson, Renata Salecl, Slavoj Žižek, Alenka Zupancic
“A marvelous collection of essays written by some of the most prominent figures working today from within a Lacanian paradigm. Though centered on the objects of the voice and the gaze and their status within the experience and structure of love, these essays range over an amazing topography of issues, from penitentiary fantasy and utilitarianism, to film theory and false memory syndrome.”—John Mowitt, University of Minnesota
